Affirming Art： Heidegger and the Sense of a Beginning

作     者：Gary Peters 

作者机构：York St John University 

出 版 物：《Journal of Philosophy Study》 (哲学研究（英文版）)

年 卷 期：2013年第3卷第10期

页      码：958-973页

摘      要：This essay offers a philosophical perspective that, in breaking with both the open and surreptitious dialectical method still so prominent in academic discourse, follows Heidegger in trying to conceive of a radically non-dialectical manner of approaching affirmation, negation, and neutrality. As with Heidegger, this is attempted through a turn towards art and the "emancipated contingency" that characterizes much creative production. In contrast to action and production within the knowledge economy, the creation of the artwork concerns a knowing of unknowingness (described by Maurice Blanchot as the neutral) that demands a rethink of action in relation to truth and errancy. Indeed, the very working of the work of art is conceived here as a truth that is precisely "set to work" (Heidegger) by errancy. Through a consideration of the essential difference between choice and decision and the different "beginning" of art that this suggests, the essay concludes with some reflections of the theme of art"s fascination and the and the affirmation of the unknown.

主 题 词：海德格尔 艺术品 知识经济 艺术作品 莫里斯 辩证 真理 哲学 

学科分类：01[哲学] 13[艺术学] 0101[哲学-哲学类] 1301[艺术学-艺术学理论类] 010108[010108] 

馆 藏 号：203111952...