The Study of “Imitation” Aesthetics in Ancient Painting Theory-Taking the Chinese and Western Sources as an Example

作     者：HUO Jia-qi 

作者机构：College of Fine Arts Shanxi UniversityTaiyuanShanxiChina 

出 版 物：《Journal of Literature and Art Studies》 (文学与艺术研究（英文版）)

年 卷 期：2024年第14卷第2期

页      码：138-143页

摘      要：The theory of“imitation”in painting occupies a leading position in western art,which originated from the theory of“imitation”in ancient Greece,and has become one of the art theories affecting the world through the continuous development of later *** the exploration of the source of“imitation”in China and the West,there are some comments on the meaning of“imitation”in Chinese classical painting theory,such as“transfer model writing”and“image form”,which is obvious differences from the *** Chinese painting is a combination of careful observation of natural things and subjective emotions to express their own aesthetic feelings,and ultimately form a vivid artistic *** imitation is borrowed from Western *** fact,imitation in traditional painting has its own meaning,which contains Chinese aesthetic thought.“Imitation”aesthetics is unique in traditional Chinese painting and is the most important form of painting art.

主 题 词：“imitation” aesthetics painting art 

学科分类：1304[艺术学-美术学类] 13[艺术学] 

D　O　I：10.17265/2159-5836/2024.02.006

馆 藏 号：203126639...