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Hamlet's Mobled Queen: The Displacement of the Figure in Contemporary Discourse, Communication, and Art

Hamlet's Mobled Queen: The Displacement of the Figure in Contemporary Discourse, Communication, and Art

作     者:Ewa Bobrowska 

作者机构:Academy of Fine Arts in Warsaw Poland 

出 版 物:《Sociology Study》 

年 卷 期:2017年第7卷第3期

页      码:160-167页

摘      要:The paper will focus on communication through the figures of discourse. The problem of the entanglement of the visual and the semantic is discussed extensively by lean-Francois Lyotard, in his notable Discourse, Figure, in relation to the perception and representation of space and the role and form of the sign. According to this philosopher, the figure dominates the communication process by deconstructing the text. Both the topography of the figure and art is the result of repression processes and the subsequent discharge of libidinal energy. Art in particular is a formalism of the death drive, according to Lyotard. The figure of "the mobled queen", the expression of a possible slip of the tongue in Hamlet, becomes a symbol of the distorted relationship of the visual, the semantic, the ethical, and the critical role of this in art and communication. In addition to Lyotard's model, the possible figures of globalization will be discussed in relation to Peter Sloterdik's Globes. Spheres II.

主 题 词:Hamlet mobled queen the figure Lyotard contemporary philosophy contemporary art 

学科分类:13[艺术学] 1301[艺术学-艺术学理论类] 08[工学] 0835[0835] 081202[081202] 0812[工学-测绘类] 

D O I:10.17265/2159-5526/2017.03.004

馆 藏 号:203273482...

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