The Discussion of Tibet＇s Paintings in Dunhuang During A.D. 786-907 And the Mural Painting on the North Side ofthe No.14 Cave of the Mogao Caves

作     者：ZHANG Ya-sha LI Nan 

作者机构：Minzu University of China Beijing China Beijing Forestry University Beijing China 

出 版 物：《Journal of Literature and Art Studies》 (文学与艺术研究（英文版）)

年 卷 期：2018年第8卷第4期

页      码：614-627页

摘      要：During A.D. 776 to 848, Dunhuang was occupied and ruled by Tubo political power, a special painting style, spread via the Tibetan silk road, appeared at same time, and which is related to the art style of India and Nepal; It is worth noting that the Tibetan painting style during this period have no relative unified model actually, especially the mural and the silk painting preserved in Library Cave, the painting style of which had obvious difference between each other, and the reason behind this is very hard to explain. Until the late Tang Dynasty （A.D. 848-907）, sheer Pala style of eastern India appeared in Dunhuang, however, whether those East India painting style still belong to Tubo remain for further discussion. The art style of East India appeared in Dunhuang during from the late Tang Dynasty to the early period of Northern Song Dynasty, probably propagated from the ways other than Tubo, and this art style was deemed as the one has nothing to do with Tibet＇s art in this study.

主 题 词：Tibetan painting system silk painting the mural painting on the west of the 25th cave of the YulinCaves the mural painting on the north side of the No.14 cave of the Mogao Caves 

学科分类：1305[艺术学-设计学类] 13[艺术学] 08[工学] 080502[080502] 0805[工学-能源动力学] 

D　O　I：10.17265/2159-5836/2018.04.010

馆 藏 号：203287985...