Layered Documentation On the Process of Documenting Contemporary Dance and Physical Theatre

作     者：Maria Mercè Saumell Vergés 

作者机构：lnstitut del Teatre Barcelona Spain 

出 版 物：《Journal of Literature and Art Studies》 (文学与艺术研究（英文版）)

年 卷 期：2015年第5卷第6期

页      码：455-460页

摘      要：How can choreography and physical theatre pieces continue to perpetuate the work after rendering？ How to preserve their aura, their dynamics, and their ephemeral and genuine nature, as Walter Benjamin said？ In 1936, Benjamin already anticipated in The Work of Art in the Age of lts Technological Reproducibility that something is missing even in the best-finished reproduction. And memories of dance and physical theatre are intricate. The question is how to create a type of documentation that does not betray the vital flow of the event-based phenomenon. In this short article we will see a series of choreographic and performance artists like Esther Ferrer, Ayara Hern^indez Holz, and Olga de Soto who claimed a new form of organic documentation, making it turn performance or memory of viewers. Other creators as the company La Fura dels Baus claim documentation as spectacle and others on the opposite side, as Tino Sehgal propose radically non documentation of their work. Precisely, these different positions coincide with those of thinkers like Peggy Phelan, Sarah Bay-Cheng, or Paula Caspao who respect to a range of documentation and how it can never replace the live art.

主 题 词：documentation methodologies digital archives processes of creation re-readings (non)documentation 

学科分类：13[艺术学] 1302[艺术学-音乐与舞蹈学类] 081603[081603] 07[理学] 08[工学] 070503[070503] 0705[理学-地理科学类] 0816[工学-纺织类] 

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