Four Dimensions to Construct China＇s Modem Discourse of Aesthetics Based on China＇s Aesthetic Development in 20th Century

作     者：HU Jun 

作者机构：Shanghai Jiao Tong University Shanghai China 

基　　金：This essay is the initial result of "The study on the basic issues and critical pattern in contemporary aesthetics", a major project supported by National Social Science Foundation (Project Number:15ZDB023) "The study on the contemporary wester neural aesthetics' impact on the development of aesthetics in China", a normal project supported by National Social Science Foundation (Project Number:15BZW022) "Gorz ecological Marxist theory's implications for contemporary China", a project entrusted by Central Compilation & Translation Bureau (Project Number: 15QWT26) 

出 版 物：《Journal of Literature and Art Studies》 (文学与艺术研究（英文版）)

年 卷 期：2015年第5卷第12期

页      码：1152-1157页

摘      要：Contemporary Chinese scholars proposed that China should construct modem Chinese aesthetic discourse system, therefore, we should attach great importance to China＇s own aesthetic development in 20th century and learn experience from it. There are four dimensions of learning. First, we should seek the origin of methods from Marxism. Second, the study should deeply rooted in Chinese traditional culture. Third, we should refer to ancient and modem Western aesthetic theories. Last but not the least, all the scholars should be encouraged to express their views freely and equally. The four dimensions, which plays an important role in constructing China＇s modem discourse of aesthetics, derived from the conclusion and experience of China＇s modem aesthetic development in 20th century.

主 题 词：Chinese aesthetic experience and conclusions modem discourse 

学科分类：12[管理学] 01[哲学] 0101[哲学-哲学类] 1201[管理学-管理科学与工程类] 010106[010106] 

馆 藏 号：203705470...