摘要：3-Hydroxy-4-chloro-1,8-naphthalic anhydride has been designed and solvent-free synthesized with 1,8-naphthalic anhydride as starting material under microwave irradiation *** result compound has been characterized by 1H NMR,MS and Elemental *** reactive steps have been optimized,good reproducibility and high yield(total yield is 64%)have been *** 3-Hydroxy-4-chloro-1,8-naphthalic anhydride is radiated by ultraviolet light at 249 nm,it emits intensive blue fluorescence.3-Hydroxy-4-chloro-1,8-naphthalic anhydride would be a potential materials for many blue fluorescent organic materials.

摘要：砂塑器造型也称为“花货”．是对雕塑性紫砂器皿以及带有浮雕、半圆雕装饰器皿造型的统称。紫砂“花货”的工艺制作是将生活中所见的各种自然形象和各种物象的形态．透过艺术手法设计成壶器的造型，如将松、竹、梅等形象制成各种树桩形的紫砂壶器造型；或者是在圆器或方器造型上运用雕、镂、捏塑等手法．将自然形体变化为造型的部分，如壶的嘴、把、盖、钮或者是在造型的显见部位施以简洁的堆雕装饰。壶体上这些堆雕要求宁简勿繁。做到主次分明．以达到视觉上的和谐与平衡。

摘要：江苏宜兴多山、多水、多竹,有＂陶的世界＂、＂竹的海洋＂之美称。竹,宜诗、宜画,唐代李白的诗赞曰：＂竹色溪下绿,荷花镜里香。＂让人由诗联想到美景。清代袁枚的咏竹诗云：＂竹性不耐染,志在干青云,蒙茸依附者,都非贤子孙。＂以竹喻人,意为人的青云之志、高风亮节,非趋炎附势者可比。

摘要：在紫砂的装饰手法上把自然界的动植到紫砂壶上,从而使得作品生动、富含生命力。生活是需要创作的,而创作是需要灵感的,艺术与灵感是通过自然所得,自然充满意趣。