摘要：经音乐界一批有识之士的呼吁、推动和辛劳奔走,人们终于在1988年深秋的西安,迎来了首届“全国高等音乐院校复调音乐学术会议”。受文化部艺术教育局的委托,西安音乐学院为这次会议做东。 在为期六天(1988年11月15日—20日)的会议上,来自全国26个音乐教育单位和文艺团体的67位代表,宣讲了39篇专题报告和学术论文,交流复调音乐作品25首。

摘要：*** Zhongrong has been an honest and simple cultivator in the field of *** so many achievements in hand,he never boasts of his celebrity and has no shining titles on his *** really makes him so respected and admired in the music circle? The answer should be found in his life,his music and his *** was transferred to the Creation Team of the Tianjin Central Conservatory Music Work Group in August 1951,and in 1956 he became composer-in-residence of the newly established Central Philharmonic *** period of seven or eight years may be regarded the first stage of this composer’s music *** compositions of this period were mostly created according to the needs of the professional performing groups,covering a wide range of forms including small and medium sized vocal music and instrumental music pieces,most of which were successful ones. In 1958,he finished his Prelude to the Inauguration Ceremony of the Ming Tombs Reservoir,which marks the beginning of his second stage of his *** was then followed by a number of his new symphonic works,from the Symphony No.1 (1959),the symphonic suite Lake Honghu Red Guards (1960),the symphonic poem Sister Jiang (1960),the symphonic poem Protecting Yan’an (1960),the symphonic poem Lei Feng (1963),the Sichuan Suite (1963),the Symphony No.2 Nirvana of Phoenix (1964) to his last symphonic poem Sha Jia Bang (1965).This long list of works so familiar to the public witnesses his new height of *** aspect of his bold exploration into new techniques and styles is his study on the twelve-note *** 1980,one of his art songs titled"Picking Up Lotus Across the River",composed in 1979,was published in the magazine Musical *** was his first attempt to use the twelve-note composing technique,and was also the first published Chinese work using twelve-note technique,which aroused great attention from the music circle. ***’s music life involves another important aspect - teachi

摘要：我国经济体制,从传统的计划经济向社会主义市场经济转变,经济增长方式从粗放型向集约型转变,是党在"九五"期间和今后15年内国民经济和社会发展的根本战略,是我国自改革开放以来人们在各个领域中都能亲身体验到的一种实实在在的变革。在这个伟大的历史转折面前,每个人、每项事业都面临着新的挑战,都存在着一个如何适应转变的问题,艺术教育也不例外。江泽民同志1996年3月28日与四所交通大学领导座谈时强调指出:"教育工作必须进一步解决好两个问题,一是教育要全面适应现代化建设对各类人才培养的需要。

摘要：我国的函授音乐教育,是在改革开放的潮流中,随着成人教育的发展和对终身教育体制的探索而逐步兴办起来的。函授音乐教育的产生和发展拥有充分的现实依据,作为全日制音乐教育的一种补充。

摘要：(一) 对和声民族风格的探索,是已经延续了数代人的事业。从肖友梅、赵元任、黄自等中国多声部艺术音乐写作的早期实践,到建国以来,特别是“文革”之后创作繁荣、音乐技法急剧扩展的今天,人们在和声问题上的体验是多方面的。在探索者的队伍中,有的人曾偏重于欧洲和声技法“民族化”的试验,有的人则尝试“在继承民族传统的基础上”建立新的和声体系。两种意见并无本质上的不同,它们只不过是同一实践中不同侧面的认识反映而已。