T=题名(书名、题名),A=作者(责任者),K=主题词,P=出版物名称,PU=出版社名称,O=机构(作者单位、学位授予单位、专利申请人),L=中图分类号,C=学科分类号,U=全部字段,Y=年(出版发行年、学位年度、标准发布年)
AND代表“并且”;OR代表“或者”;NOT代表“不包含”;(注意必须大写,运算符两边需空一格)
范例一:(K=图书馆学 OR K=情报学) AND A=范并思 AND Y=1982-2016
范例二:P=计算机应用与软件 AND (U=C++ OR U=Basic) NOT K=Visual AND Y=2011-2016
摘要:The theme of Raphael’s Disputàdel Sacramento(Disputation of the Holy Sacrament)has perplexed scholars over the *** the subject of theology has been mentioned,no one has shown in depth how the painting reflects theology or how the figures work together to present a unified theme on *** remain concerning the broader theological meaning of the Disputà.This study will reexamine the material and offer a deeper interpretation based on early Christian iconography and a study of figures from early Church *** an early Christian point of view,it will be shown how the presence of specific figures in the Disputàexplain the Eucharistic tradition through apostolic succession since the time of the early Church.
摘要:The earliest known image of the binding of Isaac,known as the Akedah,is on a Torah shrine in a synagogue in Dura Europos,Syria dating before 244(fig.1).It shows a fully developed iconography of a young Isaac on the altar with the burning wood,the ram by the tree,Abraham holding the knife,and the hand of God issuing from a *** the visual narrative is largely based on the account of the Akedah in Genesis 22,it also relies on details found in other Jewish literary sources that include the Talmud,Targum Onkelos,Targum Pseudo-Jonathan,commentary on Genesis by Rashi,Midrash account of Pirkei De Rabbi Eliezer,and Genesis *** paper will present unexplored Jewish sources for the iconography of the Akedah/Sacrifice of Isaac in art of late Antiquity.
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