摘要：In many mass uprising events occurred in Taiwan ruled by Qing Dynasty, Lin Shuang-Wen Event （1786） was the largest and also most affected. National Taiwan Museum of Fine Arts has collected a set of Campaign Against Taiwan printmakings which were made in order to record Emperor Qianlong in his old age putting down Lin Shuang-Wen Event. There are a total of 12 pieces as the full set of the printmakings, including Rescue at Zhuluo, Battle at Dapulin, Battle at Taivoan, Battle at Fangliao, Capture of Chuang Ta-Tien, Fukanggan Attack on Xiamen, and Victory Banquet, and the range of which was throughout the weastern of today＇s Taiwan, as the region of Hsinchu, Miaoli, Taichung, Changhua, Nantou, Yunlin, Chiayi, Tainan, Kaohsiung, and Pingtung, and therefore, its serious situation shaked Qing. L＇Institut de France collected a number of letters of 18th century, displaying the information on Taiwan＇s aborigines that Jean-Joseph Marie Amiot recorded the entire process of Lin Shuang-Wen making himself king in Taiwan. This part of materials were not found in Chinese materials, quite valauble. In this thesis, a French version was translated to compare with Chinese materials, explaining what the similarities and differences, with corresponding paintings to interprete Qianlong＇s policy against the border ethnic minorities, and sketched out the political implications of the exchange at that time.

摘要：This paper focused on Japan who was as a new colonial government in Taiwan under Japanese rule,during the period of which took official buildings or urban planning mainly of a series of Western European-style architecture as a ruler’s cultural identity and a modern Taiwan ***,in the context of East Asian modernity,the basic colonial not only mixed Eurocentric,but also included Japan Center and the interaction between the ***,the scope of research and discussion shall have regarded to the non-Western,non-white nature of the Japanese Empire,and its colonial/modernity construction is another new *** Governor-General’s Residence as the Governor-General’s residence for Japanese government combined administrative office,daily living,and social life,showing a symbol of Japan’s colonial ruling class,and a hostel to greet Japanese royal family and the nobility from time to *** a mansion of both Western Baroque and Japanese style,its architectural design has class meaning,therefore it featured with a class-separation building,also combined the leisure of Western high *** associated festivals at that time included tea party,fairs and royal family welcoming pilgrimage,the part of which with a strong political *** paper mainly uses the images of the Taiwan Governor-General’s Residence during the Japanese rule period and the literature at that time to restore the mixed taste and Japanese-Western style of Taiwan at that *** Japanese colonists ruled the complex interactions of different ethnic groups in Taiwan.