摘要：This essay focuses on the interaction between the publication of female travel writing about the South of Italy in non-feminist 19th century British periodicals, and the circulation of a transgressive model of femininity centred on the concepts of mobility, vitality and visibility. The choice of Southern Italy, an anti-tourist destination that since the era of the Grand Tour had been considered dangerous for men, let alone for women, magnifies female heroic attitudes and contaminates female conventional domestic purity enhancing the concept of an unfixed female identity. The publication of a travelogue, a mostly non-fictional genre, on an innovative and reactive medium, was a manifest act of transgression with respect to fixed social order, which gave visibility and credibility to a different model of femininity, an anti-Angel icon. A new form of narration displays adventurous women able to cross the private sphere and to write/publish authentic accounts of their transitional experience in a public, male-dominated sphere.

摘要：The aim of this paper is the analysis of the supernatural elements in Kipling＇s ＂The Mark on The Beast＂ （1890） Conan Doyle＇s ＂Lot No. 249＂ （1892）, and Wells＇ ＂The Truth about Peycraft＂ （1903） conceived of as the expression of the revitalisation of the Gothic imagery which, through the short story, serve to voice and exorcise late Victorian crisis, de-Constructing late Victorian identity. First, the complex nature of late Victorian Britain crisis will be deepened. Second, the short story will be focused on as an independent genre from the novel which mostly epitomized Fin de Si6cle literary fantastic discourse. Finally, the short stories will be investigated as textual examples of what Brantlinger （1988） defined as Imperial Gothic, instrumental in voicing and exorcising the pressures of late Victorian crisis