摘要：Following the theory of Trauma as a critical approach, it is analyzed how Paul Auster＇ s Timbuktu shows up the maladies of the contemporary world with a parody of disease full of excess and somehow mocking at its own elements. It is a distorted version of infirmity, the way it used to appear in former works of literature. The device is a winkle to the reader to envisage whatever novel or story from a carefully distanced view, very much in the way that Postmodernist authors do but with the realistic use of the form that he regularly employs.

摘要：How can choreography and physical theatre pieces continue to perpetuate the work after rendering？ How to preserve their aura, their dynamics, and their ephemeral and genuine nature, as Walter Benjamin said？ In 1936, Benjamin already anticipated in The Work of Art in the Age of lts Technological Reproducibility that something is missing even in the best-finished reproduction. And memories of dance and physical theatre are intricate. The question is how to create a type of documentation that does not betray the vital flow of the event-based phenomenon. In this short article we will see a series of choreographic and performance artists like Esther Ferrer, Ayara Hern^indez Holz, and Olga de Soto who claimed a new form of organic documentation, making it turn performance or memory of viewers. Other creators as the company La Fura dels Baus claim documentation as spectacle and others on the opposite side, as Tino Sehgal propose radically non documentation of their work. Precisely, these different positions coincide with those of thinkers like Peggy Phelan, Sarah Bay-Cheng, or Paula Caspao who respect to a range of documentation and how it can never replace the live art.

摘要：The new HaLL of Marcus AureLius in the CapitoLine Museums, Located within the ancient site of Giardino Romano, displays the original statue of the Roman emperor of the 2nd century AD. The idea of extending the CapitoLine Museums by incLuding this site came about in the framework of its general redevelopment.1 The new HaLL is the result of a Long and compLicated process （1988-7005） considering the exceptional importance of the site and the many changes brought to the museum programme during the said period （Figures 1 and 2）.In fact, the new HaLL was originaLLy supposed to display the marbLes of the TempLe of ApoLLo Sosianus, the foundation waLL of the TempLe of CapitoLine Jupiter, embedded within the structures of the PaLazzo CaffareLLi, opposite the Giardino Romano. However, in 1997, the plan for the CapitoLine Museum changed radicaLLy as the statue of Marcus AureLius, which had been restored foLLowing the bLast of a bomb attack in 1979, was determined to be the focus of the HALL. The project finaLLy consisted of a steeL and gLass structure on an eLLiptic plan andshaped around the foundations of the TempLe, with the statue at its center.

摘要：Paulo Coelho＇s novels call into question the nature of the literary text and the act of reading in a post-Einsteinian world. Amidst the debate over his popular writings （Albanese; Ndagano）, the discussion turns to whether Coelho continues a poetics of narrative developed by Jorge Luis Borges. This paper explores how Coelho＇s work may depart from a reading of Borges, yet goes beyond it into what Bakhtin established as ＂the Einsteinian universe applied to literary studies＂, as posited by Stone （2008）. Coelho＇s work is affected by hypertexts, new ways of connecting and perceiving subjectivities, and cross-cultural pilgrimages. A hermeneutic reading of his novel, The Zahir： A Novel of Obsession （2005b）, allows us to delve into the Coelhian the notion of the zahir as a tensional metaphor （Ricouer） of world-making （Valdes）. This underscores the postmodern assumption of the author as just another reader, albeit an ably active one. Through the courageous act of making his reading（s） transparent through writing, he invites other readers into the dialectical presumptions of his world.

摘要：今年,世界遗产委员会将首次在中国福州举行会议。中国也希望以六个地点为代表的丝绸之路中国段能入选世界遗产名录。它们分别是洛阳地区的巩义石窟寺、宁波市和泉州市、台藏塔和吐鲁番市、宝鸡法门寺的地下墓室、西安清真寺和西安市,以及丝绸之路历史遗迹之一的泉州古港。

摘要：In recent years,there has been an increasing interest in finding sustainable strategies for the efficient removal of contaminants from *** objective of this review is to examine the biochemical principles of specific genetic modifications in plants,their applications in the field for specific contaminants as phytotechnologies,and their international *** addition,the review presents some biological aspects of rhizosphere-related phenomena,the interactions of organic and inorganic pollutants with plants,and the performance of the phytotechnologies across the *** the last few decades,at least eight genera of genetically modified plants(GMPs)have been tested and used for soil remediation with outstanding ***,Nicotiana,and Oryza are the plant genera most widely *** plant genes such as metal transporters,chelators,metallothioneins,phytochelatins,and oxygenases have been transferred to plants to improve the elimination of contaminants in *** discuss some important aspects of gene manipulation and its application for removal of diverse contaminants.A key challenge faced by phytotechnologies is the final disposal of the generated biomass,from a safety *** argue that the commercial success of phytotechnologies depends on the generation of valuable biomass on contaminated land and its use for bioenergy *** use of such technologies would promote a broader understanding of the importance of plants,especially GMPs,in the environment and their contribution to environmental sustainability.

摘要：高速铁路建设的最初目的是连接相距400~600 km的都市区。但是近年,都市地区的郊区及城市出现了一些边缘位置的高铁车站,距都市中心的距离约100 km。重点研究位于马德里（瓜达拉哈拉、塞戈维亚和托莱多）、伦敦（斯特拉特福德、艾贝斯费特和阿什福德）和巴黎（鲁瓦西—戴高乐、马恩河谷—谢西和马西）附近的9座外围高铁车站,分析它们对都市区及当地的影响,并提取对加利福尼亚州高速铁路项目可借鉴之处。

摘要：期望理论运用Ｓ状的价值函数和非线性的权重函数来解释和预测框架效应。“齐当别”抉择模型将不同框架下的抉择行为简单地看成是“最好可能结果之间的取舍”或者“最坏可能结果之间的取舍”。本研究设计了一“匹配”技术，并用此对作者所报告过的支持框架效应与不支持框架效应的选择问题加以再检验。实验表明，采用不同的框架并不能预测性地决定不同的抉择偏爱，而匹配结果所示的“齐当别”策略则能更好地对所收集到的有关框架效应的数据作出解释。

摘要：In order to highlight the contribution of Literature to the study of Domestic Violence,this essay will reflect on the relevance of some Anglo-American literary works,integrated in the Domestic Gothic or Domestic Noir,a subgenre of the psychological thriller,distinguished by the peculiarity of representing a woman in danger as its main *** family can be the most commonly considered luminous space of harmony,affection and quiet domesticity,but everything can turn upside down whenever this stereotype is reversed *** so-called domestic noir,a new genre popularized in 2013,deals with these dualities,demonstrating that gothic fiction has always been interested in family conflicts and domestic violence in its most varied forms,turning them into sources of terror so relevant to our time.

摘要：In his Commentary on Plato＇s Phaedo, Damascius establishes a close relation between destination （lexis）, divine Justice, and life dignity （kat＇aian） of every soul. Among several meanings of destination, the most relevant one is related to the condition of the soul after death. Consequently, the purpose of this paper is to consider how this neoplatonic term is conceived in Dionysius Areopagite. For that purpose, the author will analyze such term widely used in the chapter 7 of Ecclesiastic Hierarchy in which Dionysius deals with the funerary rite and in which the notes of the dionysian eschatology are found. In other words, Dionysius＇ use of this term combines a spiritual and a metaphysic perspective. The former is part of the representation of the dionysian universe in which even the angels receive the name of lexeis and are distinguished by their never ending movement around the Thearchia; the latter is present among humans as a call to imitate such angelic condition. Such imitation is not possible without the effort needed to behave in agreement with an honorable lifestyle （kat＇axian, neoplatonic expression also used by Dionysius） that opens the door to a condition or rank granted to man after death.