摘要：回顾了从20世纪初开始,失智症护理环境的发展历程。重点阐述了护理环境空间设计从医学模式向社会模式的角色转变,并在社会模式的基础上,提出了一种新的失智症护理环境设计概念——治疗栖居地。概念提倡空间设计在失智症护理中的主动作用,认为其可以作为一种"激发系统",激发患者"不适当"行为和情绪的释放,促进居住者和环境的良性互动,从而达到自主创建栖居环境的目的。

摘要：根据在欧亚大陆的考古新材料,可以看出,“前父权制欧洲的女神宗教”,特别是公元前7000-公元前3000年间的新石器时代宗教特征:集中关注生命的轮转再生即循环:包括人的出生、养育、成长、死亡和再生,以及谷物耕种和动物饲养。当时人崇拜某个或多个女神。女神以各种各样的化身出现,贯穿于生命的每一方面。围绕着女神而形成一种复杂的人像雕塑和化身动物象征系统。

摘要：Rilke＇s Orpheus sonnet 27 runs, ＂Does it truly exist： time the destroyer？ / When topples the tower atop the peacefulheight？ / This heart belonging to the gods forever,/When will the demi-urge send it with dire might？＂ And it isprecisely on the destructing force of time that Jennifer Egan constructs her narrative upon. A Visit From the GoonSquad is exactly Orpheus and Eurydice＇s myth revisited, and she focuses on the tragedy of decline in 21 st centuryAmerica. A variety of characters unfulfilled lives conform the map of New York City, and Orpheus lyre hasbecome a rock and roll group, The Conduits, as a sort of misconnecting force in the lives of them all. A carefulliterary distance gives an impressionistic vision of inevitability and opportunity lost. My approach focuses on thedifferent interpretations of the classic myth, and on how Rilke＇s rhetorical questions offer an eclectic and metallicanswer in Jennifer Egan＇s contemporary view.

摘要：This essay argues that black and white cinema spawned a resistance to changing times that is still very present in the new generation of directors who follow classic film traditions while subverting them with consistent narrative *** Artist,the best picture Oscar award winner in 2012,is an example of this resistance as it pays homage to some of the greatest silent films of the first two or three decades of cinema history.“The Dark Side of the Screen”aims to underline that there is an unchanging power of the phantasmagoria so present in black and white movies,produced not only in the silent era but also in film noir through lighting effects and camera angles which characterize the work of major noir directors like Fritz Lang,Billy Wilder,and Orson Welles,who knew everything about the unutterable mysteries hidden on the dark side of the screen.

摘要：冲沟侵蚀是一种非常常见的土壤侵蚀形式,严重影响了土地的使用,并可能对基础设施造成很大威胁。论文通过采集现场土样,分析其塑性性能、内摩擦角和黏聚力,并基于可蚀性因子公式研究其可蚀性等级;通过现场测绘和分水岭模型研究其地表水流向和径流量,以此明确地表水径流量与冲沟形成关系。最终得出结论:冲沟的侵蚀是由于地表雨水不断对研究区域的土壤进行冲刷形成。由此提出阻止冲沟的进一步侵蚀的措施,旨在保护公路路基安全。

摘要：19世纪50年代，理查德·凯利将他在戏剧照明设计领域获得的经验同知觉心理学的基本原理结合在了一起。在凯利之前，均匀的照度（一个量化指标）是照明设计依据的主要标准。理查德·凯利按照两方面来区分，即光的质量以及3种基本功能：环境光、重点光、气氛营造。

摘要：如今的餐厅都比较注重设计和营造气氛,位于黎巴嫩贝鲁特东部的LIZA餐厅毫无疑问就是这样一个地方,设计被提升到了一个新的高度。建筑本身的丰富历史足以让这家餐厅在当地引起不小的轰动。当注入巴黎浪漫风情的室内设计后,餐厅则肩负起首次在黎巴嫩边区展示法国首都情感的重任,同时也是对当代阿拉伯艺术和黎巴嫩饮食文化的一次礼赞。

摘要：The importance of Daniel Silva’s past,close to a Portuguese cultural environment,will be relevant to understand the psychological profile of his popular protagonist and central character,Gabriel Allon,a melancholic man haunted by his past,but also someone who is a gifted art restorer,very sensitive to the values of loyalty and fidelity,which the author assumed to have inherited from his Portuguese *** a spy and an art expert,Allon seems to conciliate two contradictory sides of the human *** connection between Portuguese and American culture,in this writer’s background,could have been responsible for the creation of a character who can be,at the same time,very sensitive and very violent;an assassin who is an Israeli secret agent and the world’s finest restorer of the Old Masters’paintings.A perfect double who does justice to his creator’s double origin,which contributed to the success of The Kill Artist(2000),where terror is practiced as one of the fine arts by a hero very loyal and faithful to his complex cultural origins,living in a diaspora as the eternal wandering Jew.

摘要：The study is meant to describe the evolution of American short-story writing with patterns where visual images have become central and not peripheral for the understanding of stories. Hemingway＇s use of objective correlatives was a trace mark, and the literary editors at The New Yorker urged their writers to slow down the emphasis on movement and plot in order to recreate a certain mood which would favour the perception of objects, anecdotes, and details. The impressionistic device works very much in the same way that an advertisement would do. It is meant to persuade the audience. The apparently non-commitant vision of reality shows in fact the author＇s point of view. The apparent simplicity is meant for a very wide audience and its deepest meaning suggests the scope of the particular visual aids working at the deepest level of consciousness

摘要：This paper intends to show the Portuguese municipalities＇ commitment, since the first decade of this century, in cultural facilities of municipal management and how it provided 12 of the 18 district capitals of mainland Portugal with cultural equipment, but after all we want to know if this effort resulted in a regular, diverse, and innovative schedule. Investing in urban regeneration, local governments have tried to convert cities＇ demographic changes （strengthening of the most educated and professionally qualified groups） in effective cultural demands that consolidate the three axes of development competitiveness-innovation-creativity. What the empirical study to the programming and communication proposals of those equipment shows is that it is not enough to provide cities with facilities; to escape to a utilitarian conception of culture, there is a whole work to be done so that such equipment be experienced and felt as new public sphere. Equipment in which proposals go through a fluid bind, constructed through space and discourse with local community, devoted a diversified and innovative bet full filling development axis. This paper presents in a systematic way what contributes to this binding on the analyzed equipment.