摘要：The purpose of this paper is to show that autobiographical works like Gabrielle Roy＇s Enchantment and Sorrow （1988） and R6gine Robin＇s La Qudbdcoite （1983）, do not succeed in anchoring the self and eliminating past traumatic experiences. These writers realize that they cannot reincarnate their former ＇T＇ as time has passed and their lives have changed. The self does not let itself be reduced to a definite being but on the contrary mirrors itsef in all its surroundings. Writing the fragmentation of the self makes these authobiographies appear on one hand, fictional as the ＂I＂ always eludes itself. But on the other hand, they best describe the postmodern ＇T＇ who is conscious of the permeability of one＇s own self as well inwards by the influences, the collages of others on the Self as outwards by the projection of the self onto others, like rhizome connecting to others and forming a web of exchanges like in cyberspace

摘要：In the past oral Caribbean and African cultures,performances by the“griots”reminded the community of its heroic *** colonial studies,performance is a way for the colonized people to reconnect with its original soul and language and to become magnificent of creativity like the storyteller Solibo in Chamoiseau’s Solibo Magnifique(Caribbean).In Chamoiseau’s novel,the Black policemen who came to investigate on Solibo’s sudden death during the performance look *** mimic the French colonizers with their“baton”and their racism at thinking evil of the Black community and they provoke *** and the irony it conveys,subverts the formerly ironclad authority of the colonial order(Homi *** in Location of Culture).The Cameroonian writer Werewere Liking-Gnépo also warns the Africans of the danger of wearing the White Mask of the colonizers(like Fanon in Black Skin,White Masks).She demonstrates in her Song/Novel She will be of Jasper and Coral,that while the African Mask empowers the performer of metaphysical powers,the White Mask of colonialism on the contrary weakens the performer who internalizes his inferiority and becomes complicit of his ***,Werewere Liking-Gnépo shows ithat the White Mask of colonialism can be used to mimic the harshness and corruption of the Colonial order and in doing so to bring back regeneration of Africa.

摘要：In Western culture, the symbol of the tree which divides into branches and has a foliage of the same lineage as its roots is the best symbol for describing identity and also for describing the Cartesian reasoning which proceeds by eliminating misconceptions and following thesingle true idea. In the West Indies culture, it is the rhizome that is the best symbol to describe the identity of these peoples. The rhizome as explained by Deleuze and Gattari in their Introduction Rhizome of the book .4 thousand plateaus, is a tuber that makes roots after being cut off from its original plant. In this respect, it is most appropriate to describe the people of the Caribbean who have been cut off from their African roots by slavery but who have thrived on the island, re-establishing links with the different peoples who came to work there. The rhizome is similar to the mangrove that protects the island from marine erosion, it intertwines with other plants so that it is impossible to distinguish the source plant. In this respect, it is the best symbol to describe the creole identity and the refusal of the West Indians to return to a racial and social system that promulgated the white race as superior to the black race during colonialism. The structure of the books of Maryse Cond6 is itself rhizomatic since it does not present the theme of its stories through the view point of an omnipotent author but through the view points of all the characters of the novel who by their discussions letthe reader discover their terrible history of slavery, and transform himinto a new man who would seek diversity.

摘要：This article will study the Quebecois novels of the 1960-1980＇s and especially the feeling of debt that women had because of the Christian Bible that condemned women as being the sinful Eve responsable for the Fall of Humanity. These novelists from Quebec, marie-Claire Blais, Anne Hebert, and Gabrielle Roy, show that their female characters are unable to let go of this myth of the incarnation in their bodies of the temptations leading to Sin. Consequently, these heroines show a violent disgust for their bodies, and for all sexual manifestations （puberty, pregnancey, child-birth） that they describe very crudely. They reject their bodies and live in shame of their bodies. For this reason, they dress with modesty and have a neurotic fear of the Sin of the Flesh. This Sin makes them want to withdraw from the image of the temptress Eve and to identify themselves to Mary, the sublimated woman. For Quebec novelist Gabrielle Roy, the female debt cannot be repaid by a sublimation of women to Mary, but by a sublimation of women＇s own talents. Gabrielle Roy sees her late birth as a debt contracted towards her very impoverished and old parents. Fortunately, in her adolescence, she rebels against this unfair contract that her family and especially her mother imposes on her and that wrongs her because it forces her to follow the career path of a school teacher to repay the debts of her family. She withdraws from this debt by leaving for France and following the career path of a writer. She will redeem the debt of her family by writing her autobiography which is a monument in sublimation of her mother

摘要：In this study,I analyze Glissant’s idea of the Caribbean society as an inclusive community that treats its members with equality and mutual *** literary analysis includes novels Brown Girl in the Ring(BGR)by Nalo Hopkinson,Les Affres d’un défi(The Throes of a Challenge)(AF)by Frankétienne,and L’Envers du décor(Behind the Scene)(ED)by Ernest Pé*** three novels demonstrate how the enslaving western governments of the Black populations of the Caribbean,have dispossessed the Black people of their culture and identity and instilled a feeling of shame into them,and minimized them as ***,like the mentioned authors,raises the question of whether our modern governments still operate on the same *** Pépin shows how modern tourists and settlers still envision the Caribbean islands as Christopher Columbus did for the Western world’s profit *** proposes another form of world relations in the Caribbean,neither ontological nor one of political affiliation with France,but a rhizomatic relation with all the former communities of which the Caribbean peoples are composed.