摘要：Animation and comics are collectively known as ＂Anime ＂, it set video, audio, printing, advertising, clothing, toys, stationery, network, electronic, and many other arts and entertainment industry together in one, and plays a more important role in today＇ s increasingly rapid economic and social development. Ours is a country of many ethnic minorities, ethnic culture has a long history, and is erudite and colorful. If our animation art want to be niche in the world art of the forest, it is necessary to strengthen the national culture used in the creation. Animation art is inexhaustible creative theme of national culture. Once the elements of Chinese culture organically integrate into the anime, animation art will be able to make shine, so creating animation master piece with a unique and distinctive artistic style, and exuding boundless artistic charm. Obviously, Chinese national culture is inseparable elements of the creation of animation art. However, in recent years, it is rarely seen the use of traditional Chinese culture in China＇ s animation work. How Chinese elements go into anime and raising the standard of Chinese animation will work, and making our cotmtry the powerhouse into the world of animation as soon as possible, has very important significance. In this paper, we will explore the current status of Chinese animation, problems and how to apply Chinese elements and other relevant issues and propose a solution.

摘要：Animation design has comprehensive artistic features, so its unique creative and artistic modes decide that animation decision has a certain complexity. Whether in artistic conception design or expression design, Chinese paintings all have the unique mode of thinking. The application of the design elements, thinking elements and performance elements of Chinese painting in animations will let the form, content, style more abundant. Scientific use of Chinese elements can create animation works with Chinese cultural connotation and Chinese aesthetic emotion. It can express the aesthetic needs and aesthetic ideals of Chinese culture, thereby creating a classic cartoon art image with Chinese characteristics. The paper mainly analyzes the application of Chinese painting elements in animation design.

摘要：在全球动画产业的发展格局中,中国动画亟待建构自己的学术体系、学科体系和话语体系。在互联网与数字时代,中国动画产业发展表现出显著的市场化趋势。传统剪纸动画的发展面临困境与挑战,探讨和研究中国剪纸动画的发展创新与现代转化路径,具有一定的现实意义。该文着眼于当前中国剪纸动画发展现实和主体诉求,通过对中国剪纸动画的艺术风格、审美价值与民族文化意蕴的阐释,以及其内容生产方面的研究,尝试在探寻自身定位的基础上,找到拓展剪纸动画生存空间的方法,提出有效推动中国剪纸动画创新发展的可行方案,以期为中国剪纸动画的艺术创新与现代转化提供路径参考,助推中国动画工业化和产业化生产进程。

摘要：以ZY4000/13/28型液压支架为例,分析支架顶梁在偏载、扭转工况下的受力情况,优化顶梁的结构,消除顶梁的危险点,在保证顶梁结构强度的情况下减轻顶梁的质量,减少焊接量。借助有限元分析软件,分析顶梁的应力、变形,优化了顶梁的主肋/横肋分布、盖板等。通过优化设计,降低了顶梁结构折弯件处的应力值,同时顶梁部装的质量减轻了133.72 kg,达到了优化目标。

摘要：目前学术界对型钢混凝土节点抗剪承载能力计算理论没有一致的定论,对目前较为流行的两种计算理论进行了初步的对比,分析两者之间的异同。并据此,提出了建立计算理论的思路,以期对建立统一的型钢混凝土节点的抗剪承载能力计算公式有所裨益。

摘要：护帮销轴作为护帮和千斤顶的联接件,其强度决定了护帮能否正常伸展和收回。通过轴类零件理论校核分析,验证销轴的理论可行性,得到了较为合适的设计直径。基于Creo建立销轴的三维模型,并利用Workbench的静力学分析模块完成了对护帮销轴的有限元分析,得到了销轴的优化方案,提高了销轴的强度,实现了设计目标。

摘要：课堂教学评价体系是课堂教学的重要组成部分,构建适合于企业用人的课堂教学评价是应用型大学人才培养的最终目标。当前,高校课堂教学评价指标体系设计的问题表现为:整体性的课堂教学质量监控体系不健全、不完善;教学质量评价体系的方式单一体现为“以教论教”;课堂教学质量评价的运行机制未形成系统化运作,运行措施保障不力、评价结果缺乏准确性。在对现有课堂教学评价进行研究的基础上,提早将用人单位评价体系融入课堂教学评价中,在符合高等教育教学规律的基础上,构建起符合企业用人标准的评价体系。

摘要：本文通过对下二门油田注水系统现状和存在问题的分析,提出由于下二门注水系统中注水井压力相差较大,将注水管网由一套改为二套压力,可以降低注水单耗,并提出了具体的改造措施,对其进行了技术经济分析.

摘要：基于微小力测量(m N级分辨力,N级测量范围)的柔性铰链杠杆-平衡机构,建立了此机构的运动数学模型,并利用有限元方法对该数学模型进行了验证。数学模型计算及有限元分析结果表明,减小柔性铰链的刚度、增大平行四杆机构的长度能增大被测力产生的位移,通过合理地选择铰链支点两侧的杠杆长度,能设计出所需的杠杆比及运动模型,从而为该机构的设计提供了理论依据。

摘要：为了解决圆筒形容器超标长圆形孔补强结构设计缺乏理论依据、设计效率较低等问题,采用数值模拟、理论分析和实验测试相结合的方法,对不同结构参数条件下开孔周边应力分布情况进行分析,计算了最大应力集中系数(K max),并采用极差分析法研究了各参数对K max的影响规律。结果表明:影响长圆形孔周边K max的主要参数包括筒体直径(D)、短轴与筒体直径之比(b/D)、长短轴之比(a/b)、凸缘宽度(B)和凸缘高度(H);应力集中影响范围主要在距离长轴两端1.5b范围内;Kmax随着a/b和b/D的增加而增加,随着B和H的增加而降低;其中a/b对Kmax的影响程度最为显著,b/D和H对Kmax的影响程度相当,但影响程度明显低于a/b,B和D对Kmax的影响程度最低。研究所得的结构参数对应力集中系数的影响规律,及提出的补强设计相关原则,为圆筒形容器长圆形孔补强设计提供了理论依据,对于提高设计效率、保障压力容器安全具有一定的意义。