摘要：Cultivation metaphor. that compar. teacher. and students to gar.ener. and plants,r.spectively,have a long pr.sence in the field of *** such metaphor. can be used to r.pr.sent lear.er.center.d pedagogies in which a teacher.foster. the gr.wth of their.students,ther. is also a dar.er.side to cultivation *** instance,Zipor.(2020)ar.ues that char.cter.stics of agr.cultur.’s gr.in economy-like r.petitiveness,coer.ion,and lack of diver.ity-can be imposed onto *** Zipor.’s call for.the for.st to ser.e as a mor. apt metaphor.cal tr.jector. for.education,I pr.pose using the for.st gar.en as a middle gr.und between the tr.ditional gar.en and the natur.l *** highlight the potential usefulness of the for.st gar.en metaphor.in education,I explor. its application as r.lated to teacher.pr.fessional development(PD),specifically content and language integr.ted lear.ing(CLIL)*** r.flecting on the design and outcomes of Pr.ject SCILLA,a CLIL PD pr.gr.m for.Kazakhstani univer.ity instr.ctor.,as well as CLIL PD mor. br.adly,I demonstr.te how the for.st gar.en metaphor.conceptualizes the r.lationships and power.dynamics between and acr.ss var.ous stakeholder. in education in r.sponse to global r.etor.c,national and local policies,and inter.er.onal *** emulating the sustainable for.st gar.en’s pr.nciples of planning and intentionality,localization,inter.onnectedness,diver.ity,cr.ativity,and gr.wth fr.m decay,stakeholder. can(r.)shape the policies and pr.ctices of multilingual,multicultur.l education *** addition,education r.sear.her. can use a metaphor.cal for.st gar.en lens to better.appr.ciate the complexities at play within dynamic educational landscapes.

摘要：雕塑家—陆斌[西班牙]Car.en r.u陆斌的作品让我们意识到我们无法回避我们自身的文化以及我们自己独特的行为方式。我们总是存在于我们自己的社会及这个时代当中。因此,他今天的创作的艺术品所展现出的属于某一时的历史特征及典型象征的符号，如某些作品模仿因岁月侵蚀而斑驳的石块上留下的传统中国陶瓷器的纹饰等，那些被石化的传统文化或现代生活品的符号，所要的反映的是今天的现实，并非永恒。它是作为当今文明的一面镜子。

摘要：This paper.analyzes the effects of nanopor.us sur.ace on heat tr.nsfer.temper.ments of assor.ed ther.al conductingmater.als. A phenomenal pr.posal of wielding the sur.ace r.ughness to amelior.te the heat tr.nsfer.r.tehas been discover.d. The maximum incr.ase of heat tr.nsfer.r.te pr.cur.d by nanopor.us layer. is 133.3% higher.han the polished bar. metals of sur.ace r.ughness 0.2μm. This plays an imper.tive r.le in designing compact r.fr.ger.tionsystems, chemical and ther.al power.plants. Exper.mental r.sults pictur. a for.idable upswing of58.3% heat tr.nsfer.in chemically etched metals of sur.ace r.ughness 3 μm, 133.3% in nanopor.us sur.ace of por.sity75-95 nm for.ed by electr.chemical anodization, and por.sity of 40-50 nm for.ed by spr.y pyr.lysis incr.asesthe heat tr.nsfer.by 130%. Effects of por.sity, flow velocity and scaling on the ener.y tr.nsfer.ar. alsoscr.tinized. This paper.also analyzes the multifar.ous modes of nanopor.us fabr.cation, to contr.ve both pr.digiousand pr.vident system.

摘要：1910年,德国心理学家马克思·韦特海默、库尔特·考夫卡和沃尔夫冈·柯勒共同创立了格式塔心理学。本文作者讨论了格式塔理论对艺术和设计的影响,阐述了受日本启发的美学理论及其相似性,并探寻格式塔心理学家与某些艺术家的共性。

摘要：一个人如果仅仅具有创作性和知识,而没有对历经数百年的伟大艺术的鉴赏能力,是很难把景观设计得完美的。将艺术带进景观中有很多方法:最直接的是将一件艺术品摆放在景观中;也可以在景观设计中受艺术品的启发;还有将景观作为艺术已经创作。欧林事务所力图赋予景观以艺术品质。文章针对不同景观工程中对艺术的追求进行了描述。

摘要：Technology development and continuous down scaling in CMOS fabr.cation makes Mixed Signal Integr.ted Cir.uits (MSIC) mor. vulner.ble to pr.cess var.ation. This paper.pr.sents a well defined novel design methodology for.pr.cess var.ability awar. design by incor.or.ting the major.challenge of statistical cir.uit per.or.ance r.lating the device and cir.uit level var.ation in an accur.te and efficient manner.to impr.ve the r.liability, r.bustness and stability of the cir.uit. The device sensitive par.meter. ar. identified and accur.tely quantified by continuous r.alistic assessments using statistical methods. The modular.ty of the methodology can be validated by the output per.or.ance obtained fr.m the gain and phase r.sponse of OTA which is highly stable when subjected to wor.t case pr.cess var.ation scenar.o. In the pr.posed optimization, the cir.uit is str.ngthened by fixing the optimum aspect r.tio without adding any additional compensation devices complicating the cir.uit r.sulting in low power.consumption of only 0.116 mW in standar. CMOS 0.18 μm technology with 1.8 V power.supply.

摘要：This paper.pr.poses the design and exper.mentation of digital contr.l of soft-switched inter.eaved boost conver.er.using FPGA for.Telecommunication System. The switching devices in the pr.posed conver.er.ar. tur.ed on and off with Zer. Voltage Switching (ZVS) and Zer. Cur.ent Switching (ZCS) r.spectively. The cir.uit is oper.ted in Continuous Conduction Mode (CCM) with var.ous load r.nges having duty cycle of mor. than 50%. The pr.posed conver.er.is studied by developing the simulation module in MATLAB/SIMULINK. A PI contr.ller.is designed and implemented in FPGA to obtain a r.gulated DC output for.line and load var.ations. Simulation and exper.mentation r.sults ar. ver.fied with a pr.totype development of the pr.posed conver.er. The r.sults indicate that the conver.er.per.or.ance is enhanced with closed loop contr.l.

摘要：Numer.cal investigations of the Dar.stadt tr.nsonic single stage compr.ssor.(DTC), in the r.tor.-Stator. configur.tion, aimed at advancing the under.tanding of the effect of differ.nt r.tor.tip gaps and tr.nsition modelling on the blade sur.aces ar. pr.sented. Steady thr.e dimensional r.ynolds Aver.ged Navier.Stokes (r.NS) simulations wer. per.or.ed to obtain the flow fields for.the differ.nt configur.tions at differ.nt oper.ting conditions using the r.NS-Solver.Tr.CE. The stage geometr. and the multi-block str.ctur.d gr.d wer. gener.ted by G3DMESH and a gr.d sensitivity analysis was conducted. For.the clear.nce gap r.gion, a fully gr.dded special H-gr.d was chosen. Compar.sons wer. made between the flow char.cter.stic at design speed, r.pr.sentative for.a tr.nsonic flow r.gime, and at 65% speed, r.pr.sentative for.a subsonic flow r.gime. The computations wer. used to analyse the flow phenomena thr.ugh the tip clear.nce r.gion for.the differ.nt configur.tions and their.impact on the per.or.ance of the compr.ssor.stage.

摘要：《影迷》（以下简称“问”）：你是如何成为一名挑选演员的导演的？艾维·考夫曼（以下简称，“答”）：我想做一名舞蹈演员，我一直对舞台和戏剧抱有兴趣。当我意识到自已做不了舞蹈家的时候，我就为一个告代理商去做挑选演员的工作。到今天为止，包括在广告业界做的事，我存这一行差不多干了三十年了。

摘要：仿拟是为了表现新的内容而对人们熟知的语言形式所进行的修辞性改造。广告为了争夺潜在顾客,常常借助仿拟修辞格。在广告中,仿拟可以分为仿词、仿语和仿句。按照“零度”和“偏离”理论、“文本互依性”理论以及“陌生化”理论,人们熟知的语言形式是零度的“底文”,而改造过的新形式是偏离了的“超文”。“超文”能产生别具匠心的“陌生化”效应。陌生化效应所造成的注意价值和记忆价值正是广告所追求的目标。