摘要：An excerpt from the recently published Fang Lijun memoir,Live Like a Wild Dog,contains an excerpt that has been shared widely across various online platforms in which the commercially successful but critically panned artist details his thoughts on Vincent van Gogh：＂As a person,he was a *** think of him more as an animal.＂Writing on van Gogh＇s art,Fang continues to describe how the former thinks like a dog,painting based on momentary inspiration,whereas he himself＂wants to work like a person,＂taking his time and contemplating each aspect of his work.

摘要：The most popular posts on the art-world Internet this month circulated around the escalating demolition of art districts in suburban Beijing,a topic that was eventually banned by the end of *** many threads and images were deleted,a trail of evidence remains:installation shots of impromptu exhibitions supporting evicted artists;a photo essay on the last remaining artist in the Dongying area(an unimpressive painter who earned the comment:"She paints so badly

摘要：FAREWELL(AGAIN) TO POST-COLONIALISM,HELLO TO 798 ENTRANCE FEES,HOMAGE TO WU GUANZHONG. Discussion of the always-controversial Farewell to Post-Colonialism topic was recently reignited on the blogs,particularly via Gao Shiming’s much-circulated review of Isaac Julien’s"Ten Thousand Waves"exhibition at *** is uncomfortable with the implicit framing of China within a post-

摘要：说来奇怪,直到2015年,《艺术界》才终于为刘韡,这个本应可能算是最契合杂志观点的艺术家做一期艺术家专题。正因我们将这个任务推迟了许久,它也就自然变成了一个复杂的计划：如何恰当地去介绍、评价,并对这位北京艺术界最独特的艺术家的创作有所贡献？尤其是当我们面对这位既根植本土又很国际,既功成名就又特立独行的艺术家之时。

摘要：深圳经济特区的成立最早不过是中央的一纸命令，最后发展到彻底改变南中国的城市肌理，催生了一系列新的移民模式、建筑风格、生活标准、行政透明度以及一种奇异的草根创意文化。当时在广州和深圳两地掀起运动的艺术家和策展人如今都已经几乎变成传奇人物：胡防、郑国谷、曹斐、储云、刘窗、杨勇、张海尔、侯瀚如、陈侗，当然还有大尾象的各个成员，

摘要：唐纳天在首个独立个展中里现的是如此反对阐释的一幕,以至于观众不得不转向被动的观察,在缺乏任何阐释文字的情况下,观众只好完全将自己投入作品本身。艺术家以前的几个作品比较接近概念艺术的范畴,通过混合艺术史图象,设计物件及其他元素,产生某种让人麻痹的信息过剩,

摘要：五年前的这个时候,我给《艺术界》写的第一篇文章,发表在了改版后的《艺术界》第1期上;五年后的今天,能为这一期《艺术界》撰写序言,自然是我的荣幸。和《艺术界》一同成长,并认同其观念的我们,发觉自身正处在一个尤为振奋的时刻。在不断帮助中国艺术在世界文化平台立足同时,我们也时常被督促着在其他的方向上尽到译介的职责。《艺术界》始终都将是一本有关当代中国的国际艺术杂志,但我们同样也成为了亚洲全球视觉文化的主力。

摘要：伴随着北京初夏蓝天的清风，《艺术界》第一次在一个多月的时间内分别送至威尼斯双年展和巴塞尔艺术博览会的现场，让热情的艺术观众有机会透过我们的杂志以另一种方式来解读系统里最顶尖的两场盛会。

摘要：李光耀去世后，抛开众多讴歌这位伟大政治家的颂词，在我心头最挥之不去的是一句“城市国家的生存经历不尽人意。”北京与城市国家截然相反，它是一个幅员广阔的内陆城市，物资丰饶以支撑其艺术与文化等各类消费。然则为何北京眼下被风传为整个大中华区艺术界里最无趣的地方？

摘要：艺术家王浩然是一名视觉伪经的考古学者，他从香港电影、都市传说以及当代社会问题中提炼代表这座城市的象征符号，将其转化为混合的艺术品雕塑、行为和装置。