摘要：Th.s paper attempts to explore h.w Sh.lock in William Sh.kespeare＇s Th. Merch.nt of Venice （1995） and h.ath.liff in Emily Bronte＇s Wu.h.ring h.igh.s （2003） were victimized wh. became victimizer later to h.al th.ir wou.d and compensate th.ir loss and h.w th.y were victimized in tu.n in doing so. Sh.lock was victimized by th. Ch.istian society along with.h.s own. h.s dau.h.er left h.m in favor of th. Ch.istians. h. later became a victimizer bu. was ironically victimized in tu.n in wreaking vengeance on h.s foes in th. cou.t. Similarly, h.ath.liffs tru. spiritu.l love was rejected by h.s Cath.rine, neglected by everyone, ph.sically and mentally abu.ed. Later, h. wreaked vengeance u.on h.s foes bu. was victimized to death.in tu.n. Sh.lock entered th. cou.t as a victimizer bu. left it as a victimized individu.l ju.t as h.ath.liff entered th. h.igh.s, after self-imposed exile, as a victimizer and left it as a victimized individu.l for good. Th.refore, both.of th.m experienced a cycle of victimization.

摘要：Th.s paper attempts to analyze Blanch.＇s psych. in relation to h.r employing defense mech.nism to restore h.r mental h.alth.and h.rself in A Streetcar Named Desire （1947） by th. American playwrigh. Tennessee Williams. It focu.es on h.r replacing reality with.fantastic embodiments or illu.ion. Sh. h.s taken u.acceptable impu.ses into acceptable forms by u.consciou.ly blocking th. impu.ses su.h.as su.erego and th.reby redu.ing agony for th. earlier trau.atic experiences left indelible marks on h.r mind, and anxiety for su.vival. h.r anxiety becomes too overwh.lming th.t h.r ego u.gently employs defense mech.nisms to protect h.r. With.h.r new h.pes and dreams sh. desires to replace th. h.gh.y stressfu. loss. u.der mental and social stress, h.r illu.ion and h.r falsification of reality neverth.less became u.able to overcome recu.ring trau.a-cau.ing situ.tion in reality and h.r h.aling process th.reby leaving h.r on th. verge of extinction.

摘要：Th.s paper attempts to analyze Pau. Morel＇s instinctu.l drives--in D. h. Lawrence＇s Sons and Lovers （2006}---toward su.vival, neu.otic refu.al to accept life, and h.s will to give life meaning after a fierce and prolonged internal strife--in th. ligh. of psych.analysis. It will explore h.w h.s ＂Id＂ strives to bring abou. th. satisfaction of instinctu.l needs on th. basis of th. pleasu.e principle driving h.m to seek pleasu.e. h.s ＂libido＂--psych.c energy, emanating from th. id, especially th. sexu.l u.ge--h.s empowered h.s ＂Eros＂ or life instinct. It will also explore h.w ＂Th.natos＂ or death.instinct, in contrast, h.s yearned for an almost lifeless state and cu.bed entering into h.0}an relationsh.ps as experienced in h.s last rejection of Miriam after h.s moth.r＇s death.leaving a great trau.a on Pau. wh. h.s been on th. verse of extinction as a resu.t. Th.refore, Eros and Th.natos, both.coincide and conflict with.n h.m, are dynamically involved and th.0} are interacted infu.ing life not stagnation in Pau.in consequ.nce

摘要：Th.s paper attempts to demonstrate h.ster Prynne＇s, in Nath.niel h.wth.rne＇s romantic work of fiction Th. Scarlet Letter （1994）, su.limation of h.r sexu.l impu.ses into identifying with.th. socially acceptable h.0}anitarian actions, and societal demands in order to avoid th. confrontation with.th. scorn of th. people of Boston, h.r sexu.l u.ge, and with.h.r weakness. h.ster＇s libidinal energy was ch.nneled into socially approved activities in h.r self-devoted years th.t made u. h.r identity and reality. Th. scarlet letter ceased to be a stigma wh.ch.once attracted th. world＇s scorn and bitterness, later looked u.on with.reverence, and transformed into a th.ng to be sorrowed over. Sh. h.d not ignored a large part of reality of h.r life （th. past and present）. If sh. ignored h.r past sh. wou.d entirely detach.it from th. present. Sh. integrated h.r stigma into h.r life in th. continu.l process of self-making, and th.reby projecting h.rself into th. fu.u.e