摘要：This article begins with the construction and meaning of conceptual photography, analyzes its aesthetic attitude,and proposes that the reading experience of conceptual photography works through expression of meaning and howto embody its spiritual connotation in the creative process, and “watch” the conceptual photography works becomethe act of interpreting a kind of figurative object, which makes the aesthetic experience of photography works fullyrealized.

摘要：Based on Gadamer’s philosophical viewpoint,the research scope starts from the domain of philosophical interpretation and extends to the field of poster design communication and *** this paper,on the one hand,the author explains that art and beauty are basic ways of existence,and artistic experience surpasses the natural science method and is close to philosophical experience and historical experience;On the other hand,the paper clarifies and explains the understanding and being understood in poster design,as well as the understanding characteristics of aesthetic experience and artistic *** analyzing some hermeneutic phenomenon,this paper discusses the aesthetic function of art,and applies the combination of this function and aesthetic perception to the category of *** consideration of the relationship between the two,this paper studies and discusses how to enhance the effect of poster design through effective methods,which would only deepen viewers’understanding of the work,but also enable viewers to enjoy the beauty of different degrees,so as to achieve the purpose of promoting information exchange and emotional communication,and further deepen the design connotation of the *** communication function of poster design works needs to be realized in the application and appreciation,and its content expression needs to be realized in the subject understanding *** need to feel the unity of the meaning and form of the works in the poster design practice and experience,and explore the purpose and intention of the works of poster design in the aesthetic experience of art,thereupon then get the understanding of reality and the perception of the future of design,and then achieve the lofty pursuit of artistic aesthetics.

摘要：Traditional murals and their image remains are an important art category and visual language,as well as a special architectural *** murals are roughly divided into temples,grottoes,tombs and other types according to space,function and *** matter what type of traditional mural,its basic function is to convey information through visual *** the development and application of information technology and digital technology,traditional mural paintings have undergone changes in space,material,and form in the exhibition-gradually transitioning from ancient rock murals to multi-sensory participation under digital screen *** of the intervention of digital media,in many digital mural exhibitions in recent years,not only the spatial presentation and viewing of murals have formed a multi-dimensional visual correspondence but also the exhibition language of murals is enriched or supplemented.

摘要：Dao Xuan’s Gantonglu records:“About fifteen kilometers down from the southeast of the Wutai Mountain,there is the ancient Dafu Lingjiu Temple,and there are two Taoist temples in the east and west,where Buddhist matters are *** to ancient legend,it was made by Emperor Ming of the Han Dynasty”(Daoxuan,Tang Dynasty,p.257).It can be seen that Buddhism has been introduced into Wutai Mountain since the Eastern Han Dynasty,and Buddhist temple murals have been painted on the walls of temples with the introduction of Buddhism,playing the role of spreading scriptures and decorating the *** pattern of Buddha’s futon base in the murals reflects the worship and rank differences of Buddhist monks in different *** a medium of meditation and worship,futuan is also a ritual instrument in Buddhist legend,which is of great *** research on the style of futon from the perspective of the frescoes in the temple of Wutai Mountain mainly focuses on the historical evolution of the frescoes and futon,the research and analysis of the base shape,pattern,composition and color of the futon in the frescoes of the *** the religious significance and historical and cultural value behind the futon style.

摘要：文章从以培养创新型人才为目标的创新型课程特征入手,研究了设计思维的三类教育应用模式,分别为:核心理念引领课程设计思路、思维模型促进课程重构、创新工具提供方法支撑。在此基础上,文章重点探讨了设计思维指导下的创新型课程设计体系,包括:设计理念层面,基于设计思维特征开展课程设计的五个原则——结合时代背景设计创新项目,以学习者的深度参与为中心,多样且开放的小组合作方式,可视化、汇聚式的创意分享模式,迭代化、非线性化的问题解决流程;模块重构层面,以创新项目为核心,围绕定义问题、汇聚灵感,构思方案、设计原型,迭代修订、输出制品,使用改进、演化发展等四阶段实施教学;工具支持层面,基于四阶段的创新工具可为教师的课程实施提供具体操作支架。

摘要：我国民歌形态万千、风格各异,《茉莉花》是其中最为灿烂的一支。在长期的发展中,民歌《茉莉花》流传的广泛性和变异的多样性无不与京杭大运河有着密切的联系。由于受各处地域环境、文化民俗及语言因素的影响,《茉莉花》沿京杭运河流域的流变具有多维性、扩散性和非单线性特征。在同宗下产生了嬗变,在京杭运河流域形成了形态各异的《茉莉花》民歌。

摘要：为了评估多爆炸成型弹丸设计参数对智能雷毁伤目标效能的影响,利用有限元软件模拟了多爆炸成型弹丸的形成过程.在建立了智能雷多爆炸成型弹丸战斗部辐射毁伤模型的基础上,运用计算机进行数值仿真,分析了在多爆炸成型弹丸设计参数影响下智能雷对坦克目标的毁伤概率.结果表明,进行战斗部设计时需要优化处理多爆炸成型弹丸的设计参数,才能提高智能雷毁伤概率.

摘要：针对聚能射流侵彻披挂爆炸反应装甲坦克顶部装甲的高效毁伤问题,提出了一种新型的组合-填充药型罩结构。采用非线性动力学分析软件AUTODYN-2D对射流形成和侵彻靶板过程进行了数值模拟,并分析了填充物材料和起爆方式对射流成型的影响以及炸高对侵彻性能的影响。研究结果表明:所提出的组合-填充药型罩可以形成首尾相连的两级串联射流,填充物采用铝和特氟龙时射流成型效果较好,但铝成型更加稳定;点环起爆形成的射流动能比单独点起爆形成的前级射流动能提高67.06%,后级射流动能提高29.51%;在炸高区间为2~6 CD(装药直径)时,成型射流均可以侵彻披挂爆炸反应装甲的坦克顶甲,并保持一定的剩余头部速度,且最佳炸高为5 CD。本研究对反披挂爆炸反应装甲坦克顶甲的新结构药型罩设计具有参考意义。

摘要：针对DC/DC开关变换器的非线性控制问题,在电流连续型Buck变换器仿射非线性模型的基础上,通过非线性坐标变换,得到其标准链式结构,采用非线性系统无源化方法设计出系统的反馈镇定控制器,得到了一种无源化控制方案。仿真结果表明,所设计的控制器对负载扰动具有很强的鲁棒性,且控制器简单易实现,实现了对Buck变换器中电感电流和电容电压的有效控制。

摘要：本文从马蒂斯的色彩观的形成过程及其色彩艺术风格的分析,从深层次之中分析了这位画家以及以马蒂斯为领袖人物的野兽派,对色彩自我表现力的控制背后所追求的最高艺术理念———平衡、秩序与协调。