摘要：As the Chinese Lunar New Year-Spring Festival 2025 begins,we take an opportunity to look back at the journal Bio-Design and Manufacturing(BDM for short).The journal BDM,first published in 2018,is related not only to human life and health but also to the frontier disciplines of global scientific and technological *** we highlight a few points of interest from the past year in order to encourage more readers to pay attention to this exciting field.

摘要：动漫品牌的打造不仅体现在动漫作品本身的制作上,动漫衍生品往往能够产生更为直观的效果,被称为动漫王国的迪斯尼拥有媒体网络、影视娱乐、主题乐园、品牌产品四个板块,在"品牌+渠道"的营销模式下带来了丰厚的回报,而衍生产品才是最重要的盈利部分。由此,本文通过对迪斯尼动漫衍生品品牌个性的实证研究,来探索迪斯尼的成功之道。

摘要：动画作为最具符号传播特征的艺术形式,其中视觉语言符号的多样化运用,深层次地传达了创作者们的创作理念和审美情趣。在日本动画监督森本晃司的动画作品中,对动画视觉符号丰富灵活的运用,展现了其动画独特艺术性和思想性的魅力。本文从奇特前卫的角色设定、明艳的色彩搭配,以及梦幻超现实的光影表现三个方面分析森本晃司动态符号视觉表现手法。通过归纳森本晃司视觉符号的传达方式,以期为当前中国影视动画的创作提供借鉴。

摘要：健康的环境推动人与事物的发展,不健康的环境则抑制人与事物的发展。舆论环境决定着人对动漫产品的消费取向和喜好程度,决定着人在消费动漫产品时的心理状态。进而言之,舆论环境起着改善或者阻碍动漫产业发展空间的作用。调控我国动漫产业舆论,营造健康舆论环境将在动漫产业发展中起着基础性的作用,是动漫产业研究的当务之急。本文就这一问题的现状、对策和趋势展开论述。

摘要：数智时代的学科建设、知识涌现与复杂情境,对设计的理论和实践产生了诸多挑战,然而,既有的知识论与知识模型却还存在许多不确定性和理解偏差。文章采用文献分析、概念推演和范畴演绎的方法,对知识的概念、知识生产的困境和策略进行了分析。设计知识论辩的历史重构表明,设计知识及其生产还有待进一步讨论,理论和实践的分离也导致了不同程度的困境。文章提出了一种“混合设计的研究”的优化策略,主张把设计和研究放置在平等的位置上加以考虑,并将研究与创作、理论与实验以多媒介的形式“封装”起来。

摘要：2019年被认为是“互动视频元年”,互动的创新广告形式已成为行业发展的必然趋势。本文通过分析互动视频应用于公益广告的优势与呈现形式,从作品创意、观众心理、数据反馈、产品定位四个方面为互动公益视频广告提供设计思路,为公益广告发展提供借鉴。

摘要：随着硬件技术的发展和移动互联时代的来临,数字界面的物理面积逐步缩小,同时需要应对越来越大容量的数字信息。如何在有限的界面内,最大程度地呈现内容,适应移动化的使用场景,并使用户易于理解,是未来界面设计需要思索的方向。本文引入可视化设计的一些方法,将可视化设计在界面设计上的应用与现在主流的图形设计方法从认知与行为两方面进行了比较,结合实际案例的分析与测试结果,探索了两类设计方法在面对同一界面内容时的优缺点。希望能为移动终端面临大容量信息时的界面形态设计提供选择上的依据。

摘要：在动漫产业为代表的文化创意产业体系内,影响力与动漫产业创意水平、动漫产业渠道与平台建设情况、动漫产业品牌成熟度等高度关联。影响力的有无与强弱,受到创意水平、渠道平台、内容质量等因素的制约。创意具有新意、内容质量高、营销方式科学、制作水平先进、衍生品开发好的动漫作品,能够促进动漫产业影响力从无到有,由弱到强不断提升,进而对动漫产业发展形成更高层面的作用力,形成构建国家文化软实力的覆盖平台。

摘要：The occurrence of bumper or poor grain harvests in ancient China plays an important role in explaining how past climate changes affected the *** of the lack of long-term continuous and high-resolution quantitative data for reconstructing the series of grain harvests in ancient China,understanding of the impacts and mechanisms involved in climate change is *** study presents a method designed for reconstructing grain harvest series by quantifying grain output levels based on the descriptions in historical *** method involves setting the grain output level for each year based on very specific meanings of different words,calculating a yield index based on the structure of each level and assessing grain yields(bumper or poor harvests)every 10 ***,1636 records related to grain yields(including crop yields,food security,agricultural disasters,grain prices,grain storage and people's livelihoods)for each year were retrieved from history books called the Twenty-Four ***,using this method,a 10-year resolution graded grain harvest series from the Western Han Dynasty to the Five Dynasties(206 BC–960 AD)is ***,the relationship between the variations in temperature and precipitation and the fluctuation of grain yields is *** results show that from the Western Han Dynasty to the Five Dynasties,bumper,average and poor harvest decades accounted for 33.3%,39.3%and 27.4%of the 1,166-year period,*** grain yields during 206 BC–960 AD can be divided into three stages:a period of bumper harvests during 206–51 BC,poor harvests during 50 BC–590 AD and bumper harvests during 591–960 *** harvest decades typically experienced a warm climate with normal or high levels of precipitation,while poor harvest decades had a cold and dry climate.A positive correlation was found between temperature and grain yield because a warm climate allows a full use of *** observed relationship between precip

摘要：动画美术设计直接关系到一部动画片的成败,作为动画创作人员,只有深入研究,把握动画美术设计,才能为动画创作奠定坚实的基础。