摘要：近年户外广告位拍卖在各个城市竞相实施，引起争议一片。

摘要：In the past decade, though gaining some experiences and mak-ing some progress, Chinese domestic art market still has a longway to go when compared with overseas markets with regards toquality of the auctioneers, purchasing power and consuming con-sciousness of culture and auction prices. However, the problemof Chinese art market mainly arts consciousness and culturalresponsibility. The laggard arts education to some extent aggra-vates it. Art market is a cultural ecologic circle and is not simpletrading of artwork. It should be a multi-angle and multi-layer in-tegrity involving law, cultural exchange, social responsibility,taxation, insurance and finance, diplomacy.

摘要：近年来,艺术品市场的种种传闻充斥了各种媒介,拍卖会上有人"做局"、"下套"的报道不绝于耳,那么——委托方"做局""下套"危害市场拍卖活动的当事人有三方,即委托人(卖主)、拍卖人(拍卖公司)和竞买人(包括买家)。从利益博弈的角度而言,买方"做局"、"下套"的可能性最小。买方处于交易链的末端,花的钱肯定是真金白银,而买来的却有可能是假货(赝品)。

摘要：情感是拍卖主体对拍品价值判断的首要的基本心理因素。与一般商品定价机制不同,经济学理论预设条件下的模型不能完全解释拍品价格的形成,文物艺术品尤其如此。拍品价格一定是'合情合理'的有机体,情感是拍卖主体对拍品价值判断的首要基本心理因素,可以表现和实现拍卖主体的内部状况与欲求等为主要功能。

摘要：拍卖是一种公开竞价、转让财产的特殊买卖行为。它不是商品处理的代名词,而是高层次的商品买卖活动。物以稀为贵,将那些奇、特、稀、缺之类物品,通过拍卖大会拍卖师魔术般的艺术调动,促使买家展开竞争,实现拍卖标的物售价的最大限度的增长。 北京、上海等大城市的拍卖企业配合有关部门多次举办规模较大的国际拍卖会,众多港澳台同胞、海外华侨和外籍客商参与竞买,不仅为国家创收了大量外汇。