摘要：电影剧作及其它苏叔阳，左元平编者按：中国电影的理论研究离真正意义上的电影尚有距离。我们所说的真正意义的电影是，以科学技术为基础的艺术手段；以商业活动为动力的工业生产；以心理认知为通道的美感接受。那么，电影是如何完成其真正意义赋予它的社会角色呢？为此本...

摘要：电影剧作：当前电影的观察与分析汪伟／电影出于它的本性，便是诉诸群众的；它向群众描绘群众，描绘他们的命运……我们必须学会用画面说话，把我们书里的思想转换成这些新的语言。——让－保罗·萨特电影剧作在电影中的意义，始终是不言而喻的。然而，在当前的电影理论与...

摘要：This Is the summary of an special Interview pven by the Journal of BFA to professor Xle Eel——a famous director work’ng In urect ing kpartment of BFA——on PreParing for“thedlscusslon ofscreen Play woting and its teaching．”king a successful director aM a teacher，professor Xle expressed hlsideas and understanding on the aspets of screenplay writing， its teaching method， and the level of selecting a screenp． From the angle ofblug a director， professor Xie thinks， at first，a screenplay Is the roc of a *** matter from the difficulty of writing anptor of the artistic or id。foglcal content，directors should affirm the lmpottance of screenpfay，andshould pay attention to It，even more，theyshould respet and be adept In using *** how to select a screenpfay， he thinks a director needn’ t to discover nything rarely specific Infe the novel he chose and the way of revising It co OPeratively with the scenarist could reflect the capability of script man agement and the ability of artistic appreciation of the *** ing a good screenPlay， the first thing above all Is that a director should be gial at identifying the main Plot and the characters of a story，and out be sensitive to whether they are colorful or *** spite of these，the deepening of me tneme Is also very *** deptn of a work reflected through plot and characters Is one of the levels of e－valuation． In a word，among the three aspects In selecting a screenplay，which are the structure of the plot，the image of characters and the deepening of the theme，the first two are more！mportant，since thoe two are the foundations which help them to make the possibility of deepening the ***，a director must learn screenplay writ－ing，and be familiar with all meanm writing，In doing so，he Is able to S6lect good screellpls，and well cooperate wim *** counter the phenomenon of neglect or low quality of screen－pls，professor Xle put forward that serious artats should benest to life forever，andshould eXpre

摘要：从儿童电影剧本征集看儿童电影现状小鸥为解近年来我国儿童影视剧作匮乏的燃眉之急，中国儿童少年电影学会、中华爱子影视教育促进会、中国视协儿童电视艺术研究会，联合举办了“’９６全国儿童电影、电视、动画剧本征集评奖”，呼吁全社会关心儿童影视创作的有心之士、有...

摘要：三十年代中国电影剧作形态分析（上）高小健３０年代中国电影创新运动在电影创作实践中所体现的变化是整体性的，而电影剧作在其中具有首当其冲的意义。其中既包含着历史文化的原因，也有其技术发展的原因。就剧作本身而言，显然有其形态发展的历史，否则就无法解释３０年...

摘要：面对电影剧作现状的思考高尔纯近年来，电影编剧队伍散失严重，电影文学工作受到很大冲击，电影剧作水平下降，直接危及国产影片的艺术质量。我曾在今年全国电影创作会议上呼吁；越是困境，越不能忘“本”，即“剧本是一剧之本”。在票子、本子、班子、片子四维关系中，本...

摘要：电影对戏剧性的追求早已有之。"二战"后民族电影的兴起,似乎给人以淡化戏剧性的印象。本文对《图雅的婚事》的情节结构、电影幻觉、表演的纪实化、银幕空间处理、视点策略等方面进行了读解与分析,并联系巴赞现实主义电影理论,对当前民族电影戏剧性与纪实性的统一进行了理论上的阐释,认为这种复调结构(戏剧性与纪实性的统一)不但实现了巴赞"电影戏剧"的愿望,而且体现了未来民族电影发展的主要方向。

摘要：从市场不景气看香港电影剧作的问题司徒健恩香港电影市场不景气是近年来香港影圈内人士极为关注的问题。香港电影会否就此一蹑不振，抑或只是适逢周期性转型，对此各方见解各异，但是，绳之将断必有其缺口，冰封三日亦非一日之寒，造成今天香港电影市道的境况远近因由并存...