摘要：JSH9904701二Safe formulation *** Proeess ***·Inherently OalelTQ314.24丙烯酸树醋的安全配方及制造manufaeture of aerylic resins〔会,英〕/Klein JA…// ***、一New York,Chemieal Engineers,1996·N .Y.:Ameriean Institute(、f一329~342一44一1999年第13卷第4期精细石油化工文摘 由于聚合的高热、潜在未控制破坏反应和许多材料的可燃及有毒性质,使丙烯酸树脂的聚合成为固有的有害工艺。1975年两个加工事故之后,综合性树脂反应器安全程序曾是全世界实现完全达到安全树脂制造的目标。该论文的目的是描述树脂配方说明书、安全屏蔽程序和反应器设计及操作标准如何帮助达到丙烯酸树脂的安全配方、按比例放大和制造。(129:190016n)TQ314.24 JSH9904702玉米蛋白质衍生的生物降解塑料的特性=Pr叩ertiesofb iodegradable plasties derived from e...

摘要：本发明提供一种具有较强抗弯强度、在可视域优异透过特性的近红外光吸收玻璃组合物,含有65%~85%的P205;5%~30%的A1203;0~10%的B203;0.5%~15%的CuO;0~10%的^0;0.1%~10%的R2O。本发明以磷酸盐玻璃作为基质玻璃,通过加大玻璃组合物中人AL2O3、B2O3的合计含量,能有效提高近红外光吸收玻璃的抗弯强度,玻璃抗弯强度达到110 MPa以上;通过合理设计磷酸盐基质玻璃中的R2O/R1O的比值范围,可以有效降低玻璃液的熔融温度,有利于Cu离子保持二价状态,使得玻璃的近红外光吸收性能优异。

摘要：运用数字化色谱指纹谱技术来描述中药复方专利技术特征,涉及到与现行专利制度要求协调一致的问题。数字化色谱指纹谱是整体描述组合物的内在总体情况,故我们选择相对保留值与面积归一化值同时使用来进行描述。对已公开的中药复方提取物是否有新颖性,是否是充分公开,如何阻止他人对中药复方的抢滩式开发及侵权行为的判定等均作了论述。

摘要：由中策橡胶集团股份有限公司申请的专利(公布号CN 115678123A,公布日期2023-02-03)“一种超耐磨轮胎胎面胶、制备方法、应用和超耐磨轮胎”,涉及一种超耐磨轮胎胎面胶、制备方法、应用和超耐磨轮胎。该胎面胶通过控制胶料组合物体系、硫化体系和硫化条件,从微观结构上设计交联网络结构密度及其键型分布来控制胶料的生热性能,在保证低生热、低滚动阻力的基础上大幅度提高耐磨性能。

摘要：地坪涂料用环氯树酯组合物及其在混凝土地坪上形成的涂膜；低温固化环氯地坪涂料的生产工艺与配方设计；

摘要：该发明专利提供了一种针对黄瓜白粉病设计的无害、无残留、无毒、高效率、功效稳定的防治方法及杀菌剂组合物。

摘要：The purpose of the present paper is to suggest an uncommon perspective on the artistic heritage usually called "classical music". The large prestige of this repertoire, in fact, often goes along with a distorted perception of a number of very important features that tend to be underrated, discarded or not taken in the due consideration by the public. Only recently has musicology paid attention to the danger of this stereotyped vision of classical music, regarded as a sort of temple of seriousness, or as a kingdom where an alleged harmony reigns unchallenged. The topic of this article is precisely the other side of classical music, which also turns out to be a world torn by conflict and filled with artistic tension, where things do not always add up. To support this standpoint, a number of very well-known pieces are considered, paying attention to their less reassuring features. Thus, compositions that seemed to be familiar show a complex and disturbing expressive texture. As a result, a widespread listening attitude finds reasonable grounds for being changed: Instead of languidly leaning back into the armchair with closed eyes, the unbiased listener is requested by the music itself to keep its eyes wide open.