摘要：【案情简介】原告贵阳某公司1994年11月推出以“老干妈”为商品名称的风味豆豉。1996年8月，该公司在其生产的“老干妈”风味豆豉包装瓶上使用瓶贴。该瓶贴以红色为基本色调，图案的中部为产品发明人的肖像，肖像下部标有显著的“老干妈”字样。1998年8月22日该瓶贴获得外观设计专利权。1999年1月，贵阳市人民政府将“老干妈”风味豆豉列为贵阳市名牌产品，贵州省经济贸易委员会和贵州省技术监督局确认其为贵州省名牌产品。被告湖南某公司1997年10月与贵阳另一食品厂签订“联营协议书”，共同开发生产“老干妈”风味豆豉。

摘要：美国于今年(1996年)将发行100元新版纸币。这个改进版以易识别真伪、防止现代化高新技术仿造为目的。新的设计既有新的特点也保留部分人们热悉的美钞特征。从1996年头发行100美元面值新版美钞开始。

摘要：他说：“马西米利亚诺-福克萨斯在翁布里亚的福里尼奥（Foligno）的教堂。在2009年投入使用。这个教堂类似一个巨大的混凝土立方体，并且受到激烈的批评。”拉瓦西说。马里奥·博塔在梅拉泰（Merate）设计的教堂。神父不得不带自己的玛丽肖像到会堂。因为建筑师没有安排这个肖像。拉瓦西说：“问题是。与新教不同。在天主教，像圣坛、肖像这些东西是必要的．而建筑师把重点放在了空间、线条、灯光和声音上面。”拉瓦西的批评引起了梵蒂冈博物馆负责人安东尼奥．帕鲁奇（Antonio Paolucci）的共鸣。帕鲁奇说：“这些教堂至多像博物馆。它们的空间没有祈祷和冥想的暗示。”

摘要：During the last months of 1888 the populous quarter of Whitechapel, London, was stained with the blood of five women, all booked prostitutes and chronic alcoholics, worthy representatives of the diseases/vices of the Victorian East End. The shrewd and sanguinary Monster who realized these violent murders called himself "Jack the Ripper", signing with his "trade name" the letters he sent to the Central News Agency and through the press he soon became a myth, the most famous "serial killer" of all time. As a matter of fact, his legend survived, and his evil figure still haunts the pages of books and—-of course—-the frames of many films; among the most famous: From Hell (2001) by Albert and Allen Hughes, taken from the graphic novel of the same name by Moore and Campbell; Jack the Ripper (1976) by Jess Franco, with a disturbing Klaus Kinski, but also the TV movie directed by David Wickes in 1998 entitled Jack The Ripper; more obliquely, Jack appears also in The Lodger (1913) and Frenzy (1972) by Alfred Hitchcock. But can these movies be defined as true biopics of Jack Strangely enough, it seems, these biographies contribute to build the mythic "anonymity" of the Ripper, encouraging (and fascinating) fear and nightmares.