摘要：The objective of a bridge design is to produce a safe bridge that is elegant and satisfies all functionality requirements, at a cost that is acceptable to the owner. A successful bridge design must be natural, simple, original, and harmonious with its surroundings. aesthetics is not an additional consideration in the design of a bridge, but is rather an integral part of bridge design. Both the structural configuration and the aesthetics of a bridge must be considered together during the conceptual design stage. To achieve such a task, the bridge design engineer must have a good understanding of structural theory and bridge aesthetics.

摘要：In this paper, we conduct research on the trend of modern interior design education reform from the perspectives of aesthetics and traditional regression. Professional interior design technology is to adapt to the needs of economic development of practical talents in the central plains, with the spirit of the ＂seeking truth from facts＂ , pinpoint the target of profession fostering, established the reasonable personnel training mode, trying to explore suitable for the market need of professional personnel training mode and practical teaching methods, architecture art and design professional teaching system in higher vocational colleges. Interior design professional teaching reform goal, the guiding ideology, clear, clearer thinking pay attention to professional skills and professional quality education, skills, for body, quality as the soul. Our research starts from the basic analysis of aesthetics and traditional regression to propose the novel educational paradigm that is innovative.

摘要：aesthetics is an important part of ***’s ideological *** paper is based on Nietzsche’s experience and masterpieces of different periods,reviewing the changes of his aesthetic idea,in order to grasp the development of Nietzsche’s Aesthetic theory,then we found that Nietzsche’s aesthetics has a close relationship with the life,practice and politics.

摘要：This paper made a comparison of Cicero’s Rhetoric with Baumgarten’s aesthetics,for answering the question of how Baumgarten built the system of ars aesthetica on the basis of Cicero’s *** paper demonstrated how Baumgarten’s key ideas of pulchritudo and magnitudo were related with Cicero’s decorum and modus ***’s magnitudo originated in Cicero’s ***,however,differentiated the idea pulchritudo from the Cicero’s decorum for approaching the issue of pulchritudo ipsa.

摘要：Although the Chinese visual poetry and western visual poetry have a lot of differences,the similarity of visual poetry is the combination of poetry and *** research will apply the method of comparative analysis and multimodal theories,aiming to provide a new view to evaluate Chinese and western poetry,so as to promote the aesthetic experiences of Chinese and western culture for *** research finds that Chinese and western poetry can be analyzed from the perspective of framework of visual-image analysis based on multimodal theories,which is composed of three major meanings:representation,interaction and *** comparative aesthetics based on the multimodal theories is of great significance to the appreciation and enjoyment of Chinese and western visual poetry.

摘要：The second Sino-British forum on Marxism aesthetics took place on April in University of Manchester with the theme Marxism and Humanities. During the conference both Prof. WANG Jie and Dr. YIN Qinghong had a chance to talk with Prof. Kevin Anderson about some issues related to the thought of the manuscripts and Humanities. Prof Anderson introduced the editing work of MEGA and his new book Marx at margin.

摘要：This paper tries to explore Wordsworth＇s poetics through a discussion of his important poetic conception of＂poetic spontaneity＂ or ＂All good poetry is the spontaneous overflow of powerful feelings＂. Wordsworth＇s poetic point ＂All good poetry is the spontaneous overflow of powerful feelings＂ is stated in his important work The Preface to Lyrical Ballads （1801）, and this theoretical point is actually validated by many good poems of his own. This paper demonstrates the significance of the theoretical point by a close examination of The Preface and its textual meanings. And then it presents an understanding of the theory through a detailed analysis of his masterpiece Tintern Abbey （1798） and I Wandered lonely as a cloud （1804）. It also demonstrates the importance and influence of his ＂poetic spontaneity＂ by comparing it with the Neo-classicalism in the 18th century and the Modernism in the 20th century.

摘要：翻译本质上是一个“延异”的过程,经由翻译产生的意涵散播往往不存在终极的确定性。因为在翻译之后,“译名”会在社会历史语境中生发出新的意味来,从而超出翻译最初的设定。因此,翻译是一个“事件”,却不是一个“事实”。进行一次翻译,实际上仅仅是一个事件的“发生”,而这个“发生”永远是一个进行时,真正的“翻译”是从“翻译之后”开始的。因而,持久的理解与交流,并且进行不断校准式的翻译,才是文化交流的正确方式。

摘要：In terms of the aesthetic of folk literature and art,most researchers explain it drawing on general aesthetic theory,but pay less attention to the specific context and logic of individual *** aesthetics is deeply rooted in folk life,including local nature,village culture,farming life and folk *** folklore factors constitute the“local logic”,which regulates and influences folk aesthetic *** hidden“grammar”must be found in the folk life of the masses with a view to explaining the“essence”of folk aesthetics *** concept of folk literature and art is understood in two different ways:One interprets it as“study of art and literature of folks”,regarding folk as a modifier of study of art and *** literature and art is regarded as the research object and the discipline is defined according to literary *** concept is from the perspective of literary studies,emphasizing that“folk literature and art is a special study of literature and art”.The other interprets it as“study of folk literature and art”,treating literature and art among the folks as the research object and defining the discipline in accordance with cultural *** concept is from the perspective of cultural studies.

摘要：The theory of“imitation”in painting occupies a leading position in western art,which originated from the theory of“imitation”in ancient Greece,and has become one of the art theories affecting the world through the continuous development of later *** the exploration of the source of“imitation”in China and the West,there are some comments on the meaning of“imitation”in Chinese classical painting theory,such as“transfer model writing”and“image form”,which is obvious differences from the *** Chinese painting is a combination of careful observation of natural things and subjective emotions to express their own aesthetic feelings,and ultimately form a vivid artistic *** imitation is borrowed from Western *** fact,imitation in traditional painting has its own meaning,which contains Chinese aesthetic thought.“Imitation”aesthetics is unique in traditional Chinese painting and is the most important form of painting art.