摘要：In the past oral Caribbean and african cultures,performances by the“griots”reminded the community of its heroic *** colonial studies,performance is a way for the colonized people to reconnect with its original soul and language and to become magnificent of creativity like the storyteller Solibo in Chamoiseau’s Solibo Magnifique(Caribbean).In Chamoiseau’s novel,the Black policemen who came to investigate on Solibo’s sudden death during the performance look *** mimic the French colonizers with their“baton”and their racism at thinking evil of the Black community and they provoke *** and the irony it conveys,subverts the formerly ironclad authority of the colonial order(Homi *** in Location of Culture).The Cameroonian writer Werewere Liking-Gnépo also warns the africans of the danger of wearing the White Mask of the colonizers(like Fanon in Black Skin,White Masks).She demonstrates in her Song/Novel She will be of Jasper and Coral,that while the african Mask empowers the performer of metaphysical powers,the White Mask of colonialism on the contrary weakens the performer who internalizes his inferiority and becomes complicit of his ***,Werewere Liking-Gnépo shows ithat the White Mask of colonialism can be used to mimic the harshness and corruption of the Colonial order and in doing so to bring back regeneration of Africa.

摘要：非洲的古城市与建筑传统位于地球东半球西部的非洲,是世界面积第二大与人口第二大的洲,而浩翰广大的撒哈拉沙漠把非洲分为两部分,撒哈拉沙漠以北的埃及（Egypt）、阿尔及利亚（Algeria）、摩洛哥（Morocco）等地,称为北非;撒哈拉沙漠以南的肯尼亚（Kenya）、乌干达（Uganda）、刚果（Congo）、津巴布韦（Zimbabwe）等地,曾是大片蛮荒之地,称为非洲中南地区。