摘要：中华民族拥有多元一体的文化符号，文章通过提炼内蒙古地区中华民族共同的视觉符号并且进行艺术转化，以此来表现内蒙古地区优秀传统视觉符号与社会主义先进视觉符号。文章阐述了内蒙古地区中华民族视觉符号背后的文化内涵以及艺术创作的路径。敏锐地把握传统与现代结合的美学情景，创作以内蒙古地区中华民族视觉符号为主体，用油画的绘画语言讲述时代的进步。

摘要：This paper expresses REN Ping＇s views on calligraphic arts and classical Chinese literature. Calligraphy and literature could not only express ideas, sentiments, and aesthetic charm, but also create harmony in relationships. The study focuses on his calligraphic styles such as Cursive Calligraphy （草书）, Regular Script （楷书）, Seal Script （篆书）, running style （行书） and so on. His calligraphic art creation lends a unique classical style to the Chinese movie, and shows a board and wide beauty of nature for pavilion ofZONG XIU in Hangzhou, which draws essence from ancient to nourishing the new. It is widely accepted that REN Ping＇s accomplishment results from, his accumulation of Chinese traditional culture, his rich knowledge in occidental philosophy and art, his outstanding artistic talents, and from his generosity, forthrightness, and sincerity, and his all-embracing humanistic feelings.