摘要：本案位于日本的滋贺县,是一个＂商住一体＂的项目,一层是咖啡厅,二层是居住空间,两层空间均采用了十分简约的布局。在一层空间中,设计师希望打造出一个休闲舒适的日本咖啡厅,给顾客传递出一种家一般的感觉,所以这里的格局以及家具布置都充满了简洁温馨的家居感。二层则是业主的住所,该层布局打破了传统的设计,以＂服装店＂空间作为设计理念,空间中有多处可用于挂衣服的钢管,在展示衣服的同时,也成为了各区域之间的隔间。

摘要：采用Procast-cafe模块,建立了7050铝合金形核和晶粒生长的数学模型,模拟了7050铝合金在不同功率超声作用下组织的演化过程。结果表明,随着超声功率增大,熔体形核率增大,晶粒细化效果更好,组织分布更均匀,平均晶粒尺寸更小。模拟结果与试验结果符合。

摘要：Mainly applying gender studies to the analysis of Carson McCullers’s The Ballad of the Sad cafe,with the body as the focus,this paper explores how the masculine Amelia is feminized for the purpose of resolving masculinity crisis embodied by Marvin Macy and Cousin Lymon,concluding that the culturally constructed normative sex and gender dichotomy operates by disciplining otherness,causing gender identification trouble and disempowerment.

摘要：在老北京的四合院里,有这样两间小店,就是这次要介绍的"拍名堂&75cafe"。这是由两个功能完全不同的小店组成的,两个店独立经营,又互相影响,在拍名堂的包围下,75cafe似乎成为拍名堂客人"御用"的休闲小站。同样,拍名堂亦提供给75cafe的客人除了茶点以外可以欣赏艺术作品的地方。

摘要：Mainly applying Michel Foucault’s idea about spacial discipline plus gender studies,in particular,of the correlation between gender and space as well as the power hierarchy in the distribution of space,this paper analyzes the female protagonist Miss Amelia in Carson McCullers’s The Ballad of the Sad Café.This paper argues that Amelia utilizes space as a means of self-empowerment,challenging the conventional gender dichotomy sanctioned by patriarchal ***,her spacial transgression is seen as a deconstruction of gender conventionality and causes masculine crisis as embodied by the male characters Marvin Macy and Cousin *** spacial discipline is collaboratively exerted by Macy and Lymon on Amelia to“correct”her transgression,Amelia finally concedes defeat and submits to patriarchal gender norms.