摘要：戈维尔男爵记录了1789年6月法国大革命期间法国国民议会的场景——保守的贵族坐在右边,寻求革命的平民坐在左边。自那以后,＂左＂和＂右＂的空间坐标成为一种区分政治立场的概念。左派艺术的历史也可以追溯到几乎同一时刻。当雅克-路易·大卫（Jacques-Louis David）同意复制其作品《马拉之死》（The death of Marat,1793-1794）用以支持革命活动的政治宣传,他永远改变了图像的意义和力量。

摘要：death of a Salesman by American playwright Arthur Miller portrays a tragic yet realistic view of society in the 1950'*** employed in this play is vital in communicating the significance of the central theme of failure within a success-oriented *** symbols are listed and analyzed in this paper,hoping to help the readers gain a better insight into the playwright's literary technique in developing the play.

摘要："非人化"是诗歌、绘画等现代艺术发展的必然结果。西班牙哲学家奥尔特加·伊·加塞特在他的《艺术的非人化》中提到,现代艺术家明目张胆地把实在变形,他们打碎人的形态,并使之非人化。这句话真实地表现了现代艺术与传统艺术的差别——两者的目的都是表现现实生活,然而表现方式却有着根本性的不同。

摘要：《死亡飞车》death Race导演:保罗·安德森主演:杰森·斯坦森琼·艾伦泰瑞斯·吉布森类型:动作/惊悚/冒险/科幻上映:2008年8月22日(美国)我当然不是在说"酷玩(coldplay)",那个娘娘腔的小布尔乔亚情人从来没有真正唱出过年轻人心底躁动不安的欲望,音乐里没有血腥气显然是因为骨子里没有血气。

摘要：This paper compares the original 1990 cult film,Jacob’s Ladder,directed by Adrian Lyne,to the 2019 remake,directed by David *** 2015 we published an article using The Tibetan Book of the Dead as a mechanism for interpreting the original 1990 *** believed then and do now that The Tibetan Book of the Dead provides the most comprehensive and interesting interpretation of the original *** were anxious,then,to see how the 2019 remake dealt with concepts like enlightenment,attachment,the bardo,and other ideas from The Tibetan Book of the *** the end,we decided that while the remake has many similarities with the original,the 2019 version of the film does not lend itself to interpretation using The Tibetan Book of the Dead.

摘要：This paper addresses the narrative construction of the moment of death as depicted in Tolstoy’s Anna Karenina and in Barnes’s The Sense of an Ending. Following Orr’s definition of positive influence, described as a “site for cultural renewal”, it pursues the analysis of complexity and confluence of literary traditions in these texts. Though both Anna Karenina and The Sense of an Ending seem to insist on portraying a chronicle of struggle between a moment and a process of dying, it is nevertheless a physical moment of life ending which becomes an intensely condensed, and almost photographic, representation of the intimate, psychologically depicted, dying process. It is argued that the moment of death reveals, for instance, Anna’s unresolved internal conflict between psychological and physiological phenomena shaping human behaviour. Similarly, Barnes’s The Sense of an Ending builds upon a subtle dialogic tension between a process of psychological dying and a moment of physically conceived death. Specifically, this paper brings to light the repetitive occurence of the intense epiphanic moments which shape the thematic and the structural development of both Anna Karenina and The Sense of an Ending.

摘要：The subcutaneous implantable cardioverter-defibrillator(S-ICD)has recently been approved for commercial use in Europe,New Zealand and the United *** is comprised of a pulse generator,placed subcutaneously in a left lateral position,and a parasternal subcutaneous lead-electrode with two sensing electrodes separated by a shocking *** an entirely subcutaneous system it avoids important periprocedural and long-term complications associated with transvenous implantable cardioverter-defibrillator(TV-ICD)systems as well as the need for fluoroscopy during implant *** candidates include pediatric patients with congenital heart disease that limits intracavitary lead placements,those with obstructed venous access,chronic indwelling catheters or high infection risk,as well as young patients with electrical heart disease(e.g.,Brugada Syndrome,long QT syndrome,and hypertrophic cardiomyopathy).Nevertheless,given the absence of intracavitary leads,the S-ICD is unable to offer pacing(apart from shortterm post-shock pacing).It is therefore not suitable in patients with an indication for antibradycardia pacing or cardiac resynchronization therapy,or with a history of repetitive monomorphic ventricular tachycardia that would benefit from antitachycardia *** data from initial clinical studies and post-commercialization"real-life"case series,including over 700 patients,have so far been promising and shown that the S-ICD successfully converts induced and spontaneous ventricular tachycardia/ventricular fibrillation episodes with associated complication and inappropriate shock rates similar to that of ***,by using far-field electrograms better tachyarrhythmia discrimination when compared to TV-ICDs has been *** results from ongoing clinical studies will determine the S-ICD system’s long-term performance,and better define suitable patient profiles.

摘要：艺术品市场有一个“3D”定律，这个定律是：当有“death”（死亡）、“Divorce”（离婚）．“Debt”（债务）发生的时候，会促使艺术品出现换手。基于全球性的金融危机，这条定律中的“Debt”（债务）正在引发艺术品新一轮换手的出现。近期最为典型的是在雷曼兄弟公司宣布破产不久，由于要面临巨额的债务以及不断缠身的诉讼官司，雷曼公司的CEO理查德·富尔德和太太凯瑟琳·富尔德不得不考虑出售他们收藏的艺术品。

摘要：成立于1981年的极端金属乐队"死亡汽油弹"(Napalm death),向来以充满爆炸力的噪音及高亢咆哮著称。近期他们将在英国德拉沃尔美术馆进行一场骇人听闻的行为艺术:陶艺家基思·哈里森为他们设计了一套黏土打造的音响系统,乐队则把乐器等输入设备接入其中,用音浪把该音响震碎。该音响系统已准备就绪,哈里森用木头为模子,再用黏土固定了10个扬声器。乐队演奏时,声音会在黏土中回荡,使它慢慢开裂,乃至碎掉,"我需要一组能够展示声音力量的乐队,看声音如何改变黏土的状态,

摘要：德国作家托马斯·曼笔下的威尼斯是经过艺术作家之后极度风格化了的城市,充满了象征意味。《魂断威尼斯》(death in Venice,1911年)说的是垂垂老去的作家在威尼斯度假之时迷恋上美少年的故事。