摘要：This paper attempts to analyze Paul Morel＇s instinctual drives--in D. H. Lawrence＇s Sons and Lovers （2006}---toward survival, neurotic refusal to accept life, and his will to give life meaning after a fierce and prolonged internal strife--in the light of psychoanalysis. It will explore how his ＂Id＂ strives to bring about the satisfaction of instinctual needs on the basis of the pleasure principle driving him to seek pleasure. His ＂libido＂--psychic energy, emanating from the id, especially the sexual urge--has empowered his ＂eros＂ or life instinct. It will also explore how ＂Thanatos＂ or death instinct, in contrast, has yearned for an almost lifeless state and curbed entering into human relationships as experienced in his last rejection of Miriam after his mother＇s death leaving a great trauma on Paul who has been on the verse of extinction as a result. Therefore, eros and Thanatos, both coincide and conflict within him, are dynamically involved and thus are interacted infusing life not stagnation in Paulin consequence

摘要：Art composed of categories of the scale of beauty transmutes the aesthetic into eroticism, such that as an element of life it may be displayed as a love relationship between beauty and eros, the knowledge of which is referenced as early as Plato＇s philosophical contemplations. Plato characterizes eros in the Symposium and the Phaedrus as an invincible psychic force, capable, taking into account the fallibility of man, of compelling him toward the acquisition of that which will entail his completion. eros, considered thusly, contributes to human ontogeny. Plotinus, who experiences beauty as eros and terror accompanied by pleasure, to the same degree will characterize it as the outcome and consequence of an intellectually and morally superior human soul. By this definition, the greatness of art lies in the fact that it compels the souls of men to eros for its spiritual content, the true nature of a work of art being the idea. As such, as long as it is not easy to know if this beauty exists as an ontologically, gnoseologically, and aesthetically idealized entity, so much the more we consider that we cannot entirely prove Freud＇s erotic theory of primordial and desirable phantasms, which seems to differ only slightly from the Platonic theory, or from Jung＇s theory of archetypes, as it seems not to recognize to an appropriate degree individual human experience. On the contrary and in agreement with the Lacanian theory on eros, in the environment of which eros is directed towards the other, so like it, it emerges in the life of the other, rupturing and reformulating it, we consider that each of us, in reality, in the erotic phenomenon, meets the other, and, behind him, our own self, which, enchanted by all that we sense that the other represents, rates all his characteristics as charmingly beautiful, because they have the privilege of coinciding, or at least of converging towards the aesthetic, entirely unique foundation of our self.

摘要：This article focused on the influence that culture and ancient Greek literature had on the lyrical poem ＂O eros＂ （＂Love＂）, a poem by the poet of the Albanian national renaissance, Naim Fresheri. This poem written in the Greek language speaks about love and the big importance that philosophy, history, and the ancient Greek literature had in his life. The poem was published for the first time in Istanbul 1895 and its part of the phase when he wrote in the foreign languages. From the culture and Greek literature, Naim Frasheri borrowed culture, philosophy, history and Greek mythology representatives （figures）, topics, ideas and even motifs. He used them for poetical, philosophical, and historical purposes. It＇s worth mentioning that the evocation of the ancient Greek world in his poetical works gave a lot of values to his experience as a creator. In his poem ＂0 eros＂ he addresses to love, and the absolute beauty, incarnated in the figures of Greek goddess like： Kaliope, Aphrodite, Artemis, Demetria and Urania etc. In his meditative road trip the poet to discover the mysteries of the universe and they will accompany him till the divine wayward, in the amazing residency of God. There where the power of thinking melts, the mysteries get widespread and because of God the entire universe it＇s alive. The love for the poet beyond the limits of humanity, it＇s something divine, the embodiment of God himself. It is love that brings it closer to the internal truth, that God is the source of life, love and universe. The message that the poem convey, ＂Love＂, it＇s a divine message as well as universal, that claims that life without no love has no sense and that is this feeling that keeps alive not only humanity but even the world. In this work I will focus mainly on style, figurative system, Greek mythological figures and also the way, the poet artistically conceptualize the work. The method that it＇s going to be used is that of comparison referring the terminology of the scholar （r

摘要：研究了近地小行星433 eros本体悬停轨道的稳定控制问题.用三轴椭球体模型近似eros引力场分布,建立了航天器在其引力场内的动力学模型,并且应用等加速度变截距时变滑模控制设计了悬停控制器.该方法的滑模面选取与常规滑模控制不同,且不存在到达阶段.仿真分析从不同的初始条件和悬停条件入手,验证控制器的有效性,并讨论了航天器的速度与控制加速度的幅值随滑模面切换时间的变化情况.

摘要：The purpose of the paper civilization is to provide a is to show violence as the integral property of any live being. One of the aims of controlled portion of violence to the community members. If the portions are too small then uncontrolled violence appears in different forms of criminality and self-destruction. In countries without virtual violence the terrorism and ＂suicide＂ bombers are born. For the male the aim of violence is a feeling of victory. In the nature only the winner has the right to reproduction. In a civilized society each male has the right to reproduction and the necessity to feel himself as a winner. Survival means right for reproduction. Civilization has turned the bite between men into a kiss between men （men winner） and women （men defeated）, the kick between men--into a caress between men （men winner） and women （men defeated） and, finally, the violence between men into love/eros between men （men winner） and women （men vanquished） and violence between men into homosexuality/eros between men winner and men vanquished. In the civilization, the male is winner and the female simulates the defeated male, homo or animals. We can define eros as a substitute of violence in civilization like the metamorphose of violence.

摘要：本刊讯“eros-B高分辨率卫星新闻发布会”于2008年6月5日在北京友谊宾馆隆重举行,会议由北京博思科空间信息技术有限公司(***)主办,日本最大的航测公司PASCO公司、以色列I mageSat International公司共同协办。本次会议邀请来自以色列I mageSat公司CEO Shi monEckhaus先生以及日本的专家就eros-B卫星进行研讨交流,同时会议还邀请国家减灾委员会、中国测绘科学研究院、国家基础地理信息中心、中国城市规划设计研究院等机构的领导对eros-B在此次抗震减灾工作中发挥的作用进行点评。eros-B卫星的特点:光学卫星eros-B于2006年4月发射,0.7米eros-B亚米级高分辨率光学卫星的突出亮点:卫星编程快、重访周期短、交货期快。轨道高度为500km,全色影像分辨率为0.7 m,成像面积为7km×7km,预计使用寿命为10年。目前该卫星在中国过境时基本处于空飞状态,可以在较短时间内进行编程从而获得数据。在中国过境时每天的获取能力最大约为7700km2。Shi monEckhaus先生说:“目前1 m以内的高分辨率光学卫星只有美国和以色列能够提供,ER...

摘要：2008年6月5日,“eros-B高分辨率卫星新闻发布会”在北京友谊宾馆隆重举行。会议由北京博思科空间信息技术有限公司(***)主办,日本最大的航测公司PASCO公司和以色列ImageSat Interna-tional公司共同协办。来自日本、以色列的遥感专家对eros-B卫星的特点、运行状况和应用领域进行了介绍;国家减灾委员会、中国测绘科学研究院、国家基础地理信息中心、中国城市规划设计研究院等机构的领导对该星数据在“5.12”汶川大地震抗震救灾工作中发挥的作用进行了点评。0.7 m的eros-B亚米级高分辨率光学卫星具有编程快、重访周期短、交货期快等优势,与其它编程任务较重的卫星相比,该卫星拍摄方式快速灵活,得到了各领域专家以及政府部门的认可。会上对eros-B卫星的技术参数进行了详细介绍,同时展示了该卫星数据在各行业领域(防灾减灾、国土、城市建设、科研、交通及测绘等)的具体应用效果,得到了现场各领域专家领导的肯定与好评。另外,还对TerraSAR-X(1 m分辨率的雷达卫星)和ALOS(2.5 m光学卫星)数据特点及应用前景进行了介绍。北京博思科空间信息技术有限公司(***)作...