摘要：This article begins with the construction and meaning of conceptual photography, analyzes its aesthetic attitude,and proposes that the reading experience of conceptual photography works through expression of meaning and howto embody its spiritual connotation in the creative process, and “watch” the conceptual photography works becomethe act of interpreting a kind of figurative object, which makes the aesthetic experience of photography works fullyrealized.

摘要：We used existing studies on the integration of user experience design and agile methods as a basis to develop a framework for integrating UX and Agile. We performed a field study in an ongoing project of a medium-sized company in order to check if the proposed framework fits in the real world, and how some aspects of the integration of UX and Agile work in a real project. This led us to some conclusions situating contributions from practice to theory and back again. The framework is briefly described in this paper and consists of a set of practices, artifacts, and techniques derived from the literature. By combining theory and practice we were able to confirm some thoughts and identify some gaps—both in the company process and in our proposed framework—and drive our attention to new issues that need to be addressed. We believe that the most important issues in our case study are: UX designers cannot collaborate closely with developers because UX designers are working on multiple projects and that UX designers cannot work up front because they are too busy with too many projects at the same time.

摘要：On the basis of resources features of minority villages in Southeast Guizhou and tourists' experience needs,the paper proposed that national villages would increasingly be the ideal destination of cultural experience tourism under the background of experience economy,and products design centering on experience need was the common problem confronted tourism development of national *** analyzing four aspects of tourist resources which were natural ecology and pastoral scenery,tangible national culture,process and event national culture,and intangible culture,the paper proposed a general method for design of tourist products of national *** design should be conducted by following steps of "theme extraction—image shaping—scene design—atmosphere creation—program arrangement—implication design—publicity marketing".It should establish brand image of tourist products of national villages,so as to help tourists realize "image establishment—purchasing impulse—participation into interaction—profound experience—expectation achievement",and to constantly increase the attraction power of tourist products of national villages and comprehensive economic benefit of tourism.

摘要：Human civilization can be ameliorated by human creativity. Innovation and progress of human civilization result from a change in our thinking patterns, thus, potentially transforming the present into a creative future. Accentuating the role of creativity in design even more than other disciplines pushes one to underpin the understanding of creativity as a key role player in architecture. Furthermore, by identifying the basic principles of our ingenuity/creativity, researchers might be able to enhance this ability in the future. A key point in ＂creativity＂ is the role of previously gained experiences, which cause expanding the inventory of experiences. According to accepted def＇mition in different disciplines, creativity is no more than new combinations of previous ideas. The paper explores different effectual parameters correlated with creativity in architectural design including notion of conceptual blending, improbabilist and impossibilist creativity, tolerance of ambiguity and its correlation with creativity and creativity aided tools and interfaces. At the end, we suggest necessary experiments to obtain empirical results for some speculations that are discussed in the paper. Also, practical approaches will be suggested to apply the results in pedagogy of architecture.

摘要：By comparatively analyzing the difference of Chinese-Western culture,the paper discussed different garden building concepts of China and western countries,and also pointed out the difference of morphological features,poetic imagery of landscape,patterns,structure and spatial connects led by these *** is believed that the introducing the architectural art of garden will become an inevitable *** were used to illustrate spatial layout of classical gardens,the construction of poetic imagery,architectural forms of western gardens and its referential significance to indoor landscape design.

摘要：In Jon Krakauer’s nonfiction writing,Into the Wild(1996),away from the early 1990s’American society filled with products and information,young McCandless headed for the Alaskan Wilderness which was believed as the last *** remote wilderness far beyond several designated wilderness areas in the American West was a destination of his spiritual *** image of the wilderness overlaps with the desert in the fourth-century hagiographic literature in terms of solitude,pure and *** the image of the wilderness is an illusion,harsh experience quite different from daily routine give McCandless a sense of *** his purpose of going to wildernesses was searching for“authentic self”through“bodily feelings”(Wang,361),the remote wilderness would be reckoned to have“existential authenticity”(Wang,358)which makes him feel ***,when the wilderness experience inspired McCandless to go back home,a sense of reality shifted from the remote wilderness to *** the Wild is probably not literature to praise desert solitude,rather,Krakauer focuses on the relative self among people.

摘要：The development of software as a service represents a great advantage for the users of cloud computing, such as users of small, medium or large organizations. All these users possess different characteristics, which must be taken into account as reference for the interface development of a software product. This paper considers the element of a user experience model, with the purpose of getting to know the different features that must be taken into account during the development of software as a service. This also involves the participation of different types of users of the SaaS layer model together with the users’ interaction skills level. This paper offers a framework of the involvement actors in the design of a software interface as a service, with the objective of identifying their participation outside and within the organization. The purpose is to create an interface centered on the user, involving clients and experts to work collaboratively;and get usable software as a service application.

摘要：　　思维需要意象,意象中又包含着思维.所以,包含意象的视觉艺术乃视觉思维的故土.[2]　　--鲁道夫·阿恩海姆　　人们往往认为艺术和审美本质上是情感方面的问题,似乎只要找对了感觉,就能领会艺术作品所要传达的信息.……

摘要：2015年11月23日,全球3D设计、3D数字样机、产品全生命周期管理（PLM）解决方案和3D体验解决方案的领导者达索系统（Dassault Systèmes）（巴黎欧洲证券交易所：#13065,***）在上海发布全新的开放式创新实验室和创业公司扶持加速项目——3Dexperience实验室,旨在培养和支持颠覆性项目的发展,从而促进社会的发展和变革。达索系统计划通过3Dexperience实验室帮助特定创业公司,