摘要：The paper aims to explore pound＇s early discovery of Confucianism and his conversion to Confucianism. pound＇s interest in Confucianism coincided with the time when Christianity, already ＂contaminated＂ by ＂historical diseases＂ in pound＇s view, could not offer a valid vision by which to guide the spiritual life, resulting in losing self in a modem society. pound discovers three main deficiencies of Christianity： lack of respect for individuality, the decline of ethics, and open attack upon nature, which could not provide solutions to Western problems. pound turned to Confucianism to search the existence of modem man in the face of society, and nature, which results in pound＇s Confucian medicine to cure Western moral obtuseness.

摘要：The Pisan Cantos （1948）, ezra pound＇s great epic, which reflects major social, cultural, and historical themes, is based on Western and Chinese cultures, especially Chinese Confucian thoughts. This paper attempts to provide an analysis of Confucian classics and Chinese characters/ideograms as cited in The Pisan Cantos, and to present the unique way in which pound expresses his emotions and enriches his poetic art. Since, Chinese culture that emphases such concepts as ＂benevolence＂ and ＂sincerity＂ offers a more philosophical and poetical foundation to the cantos, it is understandable that The Pisan Cantos embodies pound＇s ambition to reestablish the war-ruined Western world by Chinese Confucian thoughts, which he regards as an important foundation stone for establishing an idealistic regime

摘要：This paper intends to study ezra pound＇s early poetics and his modemist poetry through a close research of the Eastern elements in the shaping process of his poetics and the significance and influence of his poetic thoughts on the American New Poetry Movement. In order to clarify the essence of pound＇s early poetics under the influence of Chinese classical poems, the paper starts from the discussion of the influence of Cathay （1915） and his translation of Cathay; then it provides a detailed analysis of the relationship between Chinese classical poems and pound＇s creation; and finally it has given an analysis of ＂In a Station of the Metro＂. pound absorbed different poetic concepts from all of them and transformed his poetry from the conventional Romanticism to the innovative Modemism. What pound innovated in the poetry composition is of great importance if the new era wishes to shake off the banality and out-of-date tradition in literature. pound changed a whole generation of poets and set a good example for those who desire to write in a new way

摘要：This paper intends to study ezra pound＇s early poetics and his modernist poetry through a close research of the various elements in the shaping process of his poetics, and the significance and influence of his poetic thoughts on the American New Poetry Movement. It studies firstly the early translations and romantic lyrics of pound, trying to demonstrate that part of the influence on his early poetics is from the Western traditional cultural inheritance and that the emphasis on musicality that pound inherited from traditional forms of poetry turns out to be one of the major principles that pound advocates in his early poetics; then it comes to the discussion of the new translation concepts and poetics in ＂The Seafarer＂ （1911）, which is a great work pound translated based on an Old English poem; next this paper will focus on the influence of Robert Browning＇s dramatic monologues and Yeats＇ Symbolism on pound＇s transition from subjectivity to objectivity.