摘要：American playwright Shepard’s plays are known for their open *** ending of Shepard’s Pulitzer Prize-winning play-Buried Child is *** critics see this ending as a sign of the rebirth of American families and the revival of American *** this article stands on the opposite position to give a negative answer to Haile’s“That may be the sun”(Shephard,1981,p.66)at the end of the play through illustrating Shephard’s authorization and subversion of two important myths in the play,which is a way of parody in postmodern *** digging the family scandals and corruption of American families in the play,it is expressed that perhaps the natural world has a chance to be reborn,but not human society under the pathetic and corruptive social background.

摘要：“帕洛代”原文为parody,字典上对它的释义是“拙劣的模仿”或“通过模仿来加以嘲弄”。在美术运动中parody特指一类在他人作品上做了某些改动,从而改变了本来意思的作品。简言之,就是那些有意“歪曲”原作的新作品。其中最具代表性的画家首推法国的杜桑。此公最惊世骇俗之作就是给文艺复兴时期的名画《蒙纳丽莎》添上两撇胡子的那件。我们显然不能简单地肯定或否定这类貌似调侃的东西,不宜武断地判定其好与坏、雅与俗,对其社会功能乃至在美术发展史上的地位,恐怕也会莫衷一是。似乎一定要搞出个公认的结论并没多大必要。尤其是眼下这个艺术上日益“多元”的时代,更是如此。但画总是要给人看的,看后要有个态度则是人之常情。当然,作为一个画家或喜欢这一行当的人,更惯于对不同的作品品头评足,加以臧否。本人也常常未能“免俗”。依我的管见,长胡子的“蒙纳丽莎”诚然没有不长胡子的那幅受看、耐看,但芬奇自有芬奇的伟大,杜桑也自有杜桑的胆识!试想把“溺器”搬进堂皇的艺术殿堂。