摘要：Continuum mechanics, just as the name implies, deals with the mechanics problems of all continua, whose physical （or mechanical） properties are assumed to vary continuously in the spaces they occupy. Continuum mechanics may be seen as the symbol of modem mechanics, which differs greatly from current physics, the two often being mixed up by people and even sci- entists. In this short paper, I will first try to give an illustration on the differences between （modem） mechanics and physics, in my personal view, and then focus on some important current research activities in continuum mechanics, attempting to identify its path to the near future. We can see that continuum mechanics, while having a dominating impact on engineering design in the 20th century, also plays a pivotal role in modem science, and is much closer to physics, chemistry, biology, etc. than ever before.

摘要：To see what lacks representation on stage is a fully creative act that the spectator performs thanks to his or her imagination, as （s）he is called to retrieve via memory what is objectively absent from the scene. The renaissance audience accomplished such a creative act by making use of rhetoric and figurative arts. However, it is pre-eminently words that trigger and support the imagination, as Shakespeare＇s drama best exemplifies. Both in the Elizabethan drama and in the Italian renaissance theatre, with its perspectival vision, the spectator＇s creative act takes place in an ideal space where the stage space turns into the locus of stereoscopic vision. Consequently, the creation and consumption of the vision originates first and foremost in drama （comedy and tragedy）. The psychological, aesthetic, and anthropological mechanisms at the heart of vision, and the fruition of the images deriving from words, can be found as operating within the dramatic text, from the point of view of both the playwright and of the spectator/listener, in a direct relationship of cause and effect. Religious and especially Jesuitical drama, whose theatrical experience aims at discovering a correspondence between words and images, testifies to the visual power of the theatre.

摘要：As economics’development,society’s progress,mankind accumulates much wisdom about life and *** appears when the wisdom ***,how to pass on it from generation to generation?Education plays an immeasurable *** this regard,education has closed relationship with *** say education,it must be the teaching of wisdom;to say philosophy,it has to pass by through *** paper tries to study the educational thought of humanists during the period of renaissance in Europe and probe its aim,contents,methods,features and significance.

摘要：The aim of this paper is to present the less known phenomenon of late-Gothic Mantuan architecture in the second half of the 15th century. Indeed Mantua is famous for its renaissance monuments. However, some of the Gonzaga palaces show Gothic details, such as towers or battlements. In addition, some patricians, merchants, and priests continued to follow the Gothic tradition until the final decade of the ＂Quattrocento＂. This paper will present a first list of these interesting architectures--both public and private, religious and profane--which, in some cases and despite the Gothic language, the archival research has demonstrated a late 15th century executions.

摘要：编者按：由油田工程技术服务公司和作业公司提交，经石油公司和咨询公司的专家组成的评委会评审，美国《E＆P》杂志评选出2010年度10项石油工程技术创新特别奖。获奖的新产品和新技术包括了理念、设计和应用等方面的技术创新。它们大多是单项的新技术，但却解决了有关专业的一些关键问题，在降低油气勘探、钻井和生产成本，提高作业效率和收益方面发挥了重要作用。

摘要：随着华硕、技嘉和微星等一线晶牌厂商的X58主板陆续面世，近期来自富士康的X58主板——renaissance也揭开了它神秘的面纱。身为传统的OEM大厂，从第一批Intel原F-DX58S0主板代工情况来看，富士康近两年的主板产品丝毫不逊色于其他一线厂商。这次为了迎接最新的酷睿i7处理器，富士康更是自主研发并设计了这款定位于数字娱乐市场的高端X58主板，而它的最大特色也在于它那“神·籁”般的主板艺术设计。

摘要：The 16th-century Protestant Reformation shattered the foundations of faith and art. As traditional theology was both besieged and defended, art had to adapt. Of course, a new theology needed new kinds of pictorial extrapolations. But truly, the most interesting change was hidden in plain sight. Subjects that may have looked familiar were in fact utterly new, because subversive ideas and contexts uprooted older meanings. The painting Madonna with Parrots （1533）, by Hans Baldung Grien demoted the chaste protectress by transforming her into a flawed, even dangerous, human mother. In the painting, an oddly sultry Virgin shows off her breast, her shoulder, and her chest as a parrot nibbles her neck. The complexities of Baldung＇s painting underpin debates about the status of the Virgin during the Reformation and the freedom of an artist to tamper with sacred subject matter.

摘要：The first section of this essay deals with an iconographical analysis of Lavinia Fontana’s(1552-1614)Prudence or Personification of Wisdom of 1590,while the second part provides an iconological interpretation,demonstrating Fontana’s application of emblematic *** painting is presently on display at the Galerie Maison d’Art in Monte *** this time there is lack of knowledge about the patronage of this commission,except from the art gallery’s records showing that it acquired the painting from a private collection in New York.

摘要：Shakespeare’s Macbeth and Marlowe’s The Tragedy of *** are important dramatic works of the English *** the distance between their periods of creation,Shakespeare and Marlowe share the same background of social life,and in the same ideological and cultural context,the two playwrights coincidentally deal with the theme of“nothingness”in their respective *** purpose of this paper is to compare and contrast Macbeth and The Tragedy of ***,and to compare the similarities and differences in characterization and narrative techniques between the two works in exploring the theme of“nothingness”.

摘要：纳瓦雷·斯科特·莫马迪,美国印第安作家中的泰斗级人物,小说家、诗人、画家、印第安传统故事口述人,在小说、诗歌、学术、绘画、版画等方面成就卓著,其代表作《日诞之地》获1969年普利策小说奖,为美国＂印第安文艺复兴＂[指20世纪60年代末、70年代初开始的美国印第安作家创作的繁荣时期,