摘要：Are Chinese female more easily blamed than male because of transgressions?To find the answer of this question,we designed an *** hypothesis was:women are more constrained by social norms than men in *** have clear expectations to how people should act,and norms apply to ***,perhaps these expectations might be mitigated when Chinese go abroad and exposed to more culturally looser ***,these effects might increase with the longer *** this experiment,we compare people’s attitudes to identical men and women *** mainly hypothesis that(1)There is Greater exception of conformity for women and strevter judgement against women in China.(a)Students study in a culturally looser country have less gender bias toward women.(b)Longer time abroad(in a culturally looser country)mitigate gender bias toward women.(2)Chinese language promotes the formation of expectations to women’s behaviors.

摘要：太极图是中国传统文化的瑰宝,也是中华民族审美文化的源头,受到国人的尊崇。有研究者发现,太极图与数学、物理学等自然科学有着密不可分的联系。从自然辩证法的角度看,太极图与化学也有相通之处。故太极图也出现在了某些化学类期刊论文中,用于更直观更艺术地表现化学类论文的主旨思想及化学类期刊的风采。虽然太极图起源于我国并成为我国最优秀传统文化的凝聚,但相对于国内化学期刊,国外化学类期刊似乎更加偏爱太极图,尤其在封面和图形摘要的设计方面,比如国外顶级化学类期刊Chemical society Review,尤其钟爱太极图,仅2016年出版的24期期刊,在封面和图形摘要中就出现了11次太极图的相关模型。文章着重讨论一下该刊频繁采用太极图的原因及相关设计思路,以期为国内化学期刊的出版提供借鉴。

摘要：试图从一种解释的立场重新考虑中国的“civilsociety”问题 ,据此 ,中国“civilsociety”之出现或者重现将被置于一个有着悠久传统的本土背景之下 ,并被从社会行动者主观的方面来理解。然而 ,这种研究立场的转变并不意味着简单地拒绝考虑和使用“civilsociety”概念 ,毋宁说 ,它要求以更恰当更有效的方式来运用这一概念。学者们已经注意并且区分了“civilsociety”概念的不同用法 ,其中 ,“描述性的”和“规范性的”是两种最基本的区分。不过在本文中 ,“civilsociety”将首先被看成是一种“对照性的”的概念 ,而且除非这一概念的“对照性”用法已被充分地了解和运用 ,否则要在中国语境中恰当地展示其分析性和规范性意义几乎是不可能的。作者强调历史记忆以及在理解和建构社会现实过程中行动者认知和想象的重要性 ,同时也从社会变迁角度指出诸如“民间”这类本土概念的局限性 ,认为“民间”的传统终须被超越 。

摘要：Chungking Express is a Hong Kong film directed by Wong Kar-Wai in *** film consists of two unrelated story lines,with vibrant scenes and unforgettable *** Express can be discussed from different angles,however,it is the perhaps unintentional and sometimes subdued portrayal of third wave feminism,which is the focal point of this *** review compares the depiction of female characters in Chungking and other Chinese female led ***,this review juxtaposes the male and female characters to actual social gender norms.

摘要：This study comprises an analysis of the American feminist playwright Marsha Norman’s play Getting Out from a socialist-feminist perspective. Getting Out is about the physical and psychological confinement of the victimized protagonist Arlie Holsclaw in contemporary patriarchal American society. Throughout the play, the factors that victimize Arlie are given as the outcomes of a patriarchal society with its basic institutions as the family,educational system, religion and the law symbolized by the correctional rehabilitation. These factors which are under the hegemony of patriarchal authority shape Arlie’s life as beginning from her childhood in the past and define her present search for female autonomy.

摘要：In the 17th century society reflected in Moliere’s comedies money appears to be a fundamental power:Above all,it is defined as a way of *** a certain point of view,in Moliere’s last works money appears tracing the channels of capital circulation or emphasizing the capital immobility marked by the avarice of the main *** and particularly the inheritance or even the dowry represent an important value for the times and highlight a power in these works,which is by no means to be *** the one hand,we will be interested in the money mobility and immobility in Moliere’s last three comedies while sketching the socio-professional framework of his times,that of the bourgeoisie,and on the other,we will explore the psychological attitudes of the characters towards money and the means used to realize their own ambitions.

摘要：Focusing on research perspectives and methods,this paper reviews the main research on discourse analysis about how society affect courtroom discourse in nearly recent 30 *** research shows that courtroom discourse analysis has a trend of diversified research perspectives and research methods which formerly aimed at the static,single and conventional social factors,now it comes to concern about the dynamic,interactive,and occasional *** behavior theory is an emerging and unique member of it.

摘要：In The Metaphysics of Love, Schopenhauer argues that love is a literary invention. For the philosopher, this feeling was a creation of men to mask the real desire. On the other hand, Nicolas Grimaldi, while analysing Marcel Proust＇s work, enumerates a series of issues that strengthen Schopenhauer＇s arguments. For Grimaldi, the writer explains the literary character of love in its work. Through the analysis of four films, from different cinematography, this work intends to explore the issue of the representation of love in the art of film. In an attempt to understand how film uses its formal and discursive resources to present or represent this feeling, this paper analyses films chosen on the basis of how they tell their love stories. Beginning with Gertrud whose motto, Omnia Love says it all. In The Woman Next Door, Truffaut reveals the paradox of love and pain. Wings of Desire speaks of love and redemption. More recently, Kiarostami offered his Certified Copy, a film that asks whether a copy can produce in us the same thrill of an original. If love is an invention of literature, this paper seeks to understand how such an invention is born, and what it consists in modern and contemporary cinema.

摘要：The Man Who Has Never Seen the Sea is one of the short works of the famous contemporary French writerJean-Marie Gustave Le Clézio, who is one of the representative writers of French New Fables in the second half ofthe 20th century. Since that time, the progress of industrial civilization and the rapid development of science andtechnology have had a negative impact on the human condition, and spiritual civilization has gradually beenovertaken by material civilization. The writer’s works pay close attention to the material and mental state of humanexistence, question the confusion in contemporary civilization, and explore the distorted human nature under thecover of material civilization. Through analyzing the ocean writing in The Man Who Has Never Seen the Sea, thispaper explores the protagonist’s escape under the pressure of material society and his pursuit of a free life in theembrace of the ocean, with a view to drawing attention to the social and civilization themes of Clézio’s shortstories.

摘要：This paper aims to make study on Tess’death from two major areas,which includes social factors and human *** the perspective of social factors,the moral concept in Victorian era tends to be *** double standard towards chastity entrenched in people’s *** are oppressed by such moral concepts and controlled by *** is the one who is prosecuted by such ***,the rise of capitalism changed the old economic form,which made devastated blow to the peasant class,Tess belongs to the peasant class,her fate is also influenced by such devastation;apart from conservative moral concept,unfair law and hypocritical religion are also responsible for Tess’*** Victorian era,law and religion serve for the bourgeoisie and protect their interest instead of the peasant class like Tess,which indirectly caused Tess to kill Alec and become a *** the view of human factors,Tess’parents,Alec and Angel also play an important role in Tess’*** for her parents,who are vain and selfish,devoted to marry their daughter a rich husband and do not care about her own happiness;besides,Alec obsessed with Tess’beauty and seduced her,which directly made her be despised by people and feel immoral about herself;and Angel’s love also made Tess lives a more miserable life,since his initially strong love aroused Tess’hope but the final abandon threw her down to the *** all the three social factors and two human factors,Tess’tragedy is inevitable.