摘要：william faulkner(1897-1962)is usually regarded as one of the most important American novelist s of the 20th century,who was awarded the Nobel Prize in Literature in 1949.“A Rose for Emily”is one of faulkner’s famous short stories which applies the conventions of Gothic fiction,and it has drawn the the attention of a large number of scholars and inspired their enthusiasm of interpretation owing to its use of many experimental *** article attempts to analyze the narrative techniques of“A Rose for Emily”in terms of tense,mood and voice,three concepts introduced by Gerald Genette,a distinguished French critic of structuralist narratology in his Narrative Discourse(1980).

摘要：The accession of an African-American Obama to the U.S. Presidency in 2008 is an epoch-making event. The thesis focuses on the current situation of the blacks in U.S. to highlight the prophetic nature of faulkner, the Nobel Prize winning American novelist＇s exploration of the blacks throughout his career, namely, the miserable living states of the blacks, racial segregation against the blacks in the sphere of education and religion, racial discrimination against the blacks with regard to civil rights, racial persecution against the blacks in legal cases, and the dependency upon the black leadership to salvage the multi-ethnic nation and so on. The paper comes up with the conclusion that faulkner is accurate in his prophecy that the savior of the nation, the blacks shall suffer and lead.

摘要：This paper analysed The Sound and the Fury with the theory of intertextuality, with the aim of going back tointersubjectivity, as promoted by Mikhail Bakhtin. Drawing insight from Susan Sontag’s opinion on“interpretation”, the author highlights the importance of openness and indeterminacy, as well as the significance ofthe “form”. The author argues that faulkner found his own voice in the dialogue with previous writers and invitedreaders to interact with the texts as well.

摘要：The article is structured around a premise of intertextuality, which is suggested not only by McCarthy＇s own more or less overt allusions to faulkner＇s writing but also by the very name of his protagonist Suttree, which is evocative of the name of perhaps the best known faulkner villain Thomas Sutpen. This supposition in turn leads to an argument that in his 1979 novel McCarthy does indeed reverse the life story of Thomas Sutpen by making Suttree descend down the very path that Sutpen ascended a century and a half before him, i.e., from the ranks of Southern aristocracy to the scum of the earth, and in defiance of the same ideology that Sutpen went to great lengths to embrace. Thus, an intertextual and comparative approach to McCarthy＇s novel not only in the context of faulkner＇s Absalom, Absalom! but also his Light in August （cf. Joe Christmas） and The Sound and the Fury （cf. Quentin） as well as Ellen Glasgow＇s short story ＂Jordan＇s End＂ demonstrates that what Cormac McCarthy actually does in Suttree is to demythologize the South, complete with its aristocratic pretensions （＂doing pretty＂）, dubious morality （incest） and fear of miscegenation （obsession with time and the double）. Moreover, in doing so, he defamiliarizes it by reducing it to its Other （poor whites and African Americans）, whose authenticity, liveliness and charitability defy the affectation, lifelessness and decadence of the aristocratic South.