摘要：This study aims to visualize Giorgio Vasari＇s statement in discussing Jacopo Tintoretto＇s Female Concert of 1576-86, now at the Gemaldegalerie Alte Meister in Dresden （see Figure 1）. Two conceits （concetti） are considered in analyzing Tintoretto＇s female imagery： （1） a fanciful invention of musica extravaganza; and （2） a Venetian allegory of bellezza. The first part of the essay discusses the provenance of the painting and the second part presents an iconographical interpretation of the imagery. This essay also focuses on the iconography of the painting based on viewing the subject and does not postulate on its iconography based on disappeared paintings or on a speculative decorative cycle on the theme of Hercules. Relying on well-documented research on music in Venice, on Mannerist practices, and on art theories during Tintoretto＇s life, some intriguing observations are made about the painting.

摘要：The purpose of this essay is to identify and analyze one of Lavinia Fontana＇s mysterious paintings, traditionally entitled Cleopatra but here considered to be an inventive portrayal of an ancient scientist, Cleopatra the Alchemist （ca. third century BCE）. There are four parts to this study. The first is an iconographical analysis of the painting by Lavinia Fontana＇s Cleopatra the Alchemist （1605） at the Galleria Spada in Rome. The second section deals with the origin of the Egyptian Cleopatra the Alchemist as an Egyptian scientist and of her inventions, which include the alembic and the ouroboros motiE The third section consists of an emblematic comparison between the imagery in the painting and alchemical references. The last brief section considers problematic copies of the painting

摘要：介绍一种无线车载多媒体终端的硬件设计方案,该终端以alchemy Au1200多媒体处理器为核心,将无线网络技术与多媒体技术相结合,具有音视频播放、远程监控管理、无线数据高速传输、红外遥控等功能,为车载多媒体设备向无线化、综合化过渡提供一种解决方案。经测试,该无线车载多媒体终端硬件运作良好,结果达到设计要求。