摘要：The animation evolved from the comics gradually, nowadays, the reason why audience of animation is growing and growing because animation industry influense a lot. Various forms of animation production methods, but also different styles and ***, animation touched people＇s hearts deeply, not only depends on its production, as well as the script, action, camera language and color, etc.

摘要：The animation industry is a comprehensive art, and the development is very rapid in recent years, and many excellent domestic animation works are moved on the screen, winning support among the people. Looking to the future, the animation industry has a very great development potential. The animation major is considered as an emerging major in some colleges, and its teaching methods are still in the exploring stage. And the emerging industry has a great demand for animation talent, thus, the teaching methods of animation major need to be reformed to adapt to the constant market demand. This paper proposes an integrated teaching system of animation to solve the contradiction between market demand and traditional animation teaching mode, making analysis and researches of the kind of integrated teaching system, which is briefly described.

摘要：Hanzi （Chinese characters） has a long history and affluent contents. To promote the popularity of historical and cultural knowledge of Chinese characters, an online program has been launched by Beihang University and Beijing Normal University to explain Chinese characters＇ original meanings and evolution processes with vivid and expressive animation videos. Currently, More than 1,000 videos can be accessed through the website “http：//***/”. Besides these online resources, a human-computer interaction system is also proposed to simulate clerical changes of Chinese characters through computer morphing technology. What we want is to make the teaching and learning of Chinese characters more reasonable, more easily understandable and more interesting.

摘要：Along with the support policy for the development of domestic animation by State Administration of Press, Publication, Radio, Film and Television of The People＇s Republic of China and local governments, the domestic animation industry has wide development prospects. According to statistics, there are more than 500 colleges and universities opening animation specialty and more than thousands of universities having related courses. But in recent years, there has been a contradictory phenomenon. On one hand, it is really hard for large numbers of graduates to find jobs related to animation. On the other hand, it is difficult for domestic animation enterprises to recruit outstanding animation talents. The main reason for this phenomenon is that the animation education in colleges and universities can not satisfy the demand from market and can not meet the requirements of the animation industry development in *** we have the necessity to discuss the suitable education mode for animation development.

摘要：Hero is Back,"declares the subtite for Monkey hing,a 3D animated film from 2015 that made 956 million RMB at the domestic box office,won several international awards,and became China's highest grossing dornestic animation in *** title was meaningful in more *** way,as its high production valucs,connection to Chinese mythology,and unexpected success brought back memories of a"golden age"in Chinese animation-which the domestic film industry has been trying to recapture ever since.

摘要：近年来，在Cell animation中运用CG的例子越来越多了，尤其是摄像机的拍摄工作，一向是Cell animation制作中的一大难题，如今也可以运用CG轻松地完成了。UFOtable就是一家在制作Cell animation的CG场景和效果方面具有强大实力的动画制作公司。此外，CG中的物理模拟还被作为最新的动画表现方法之一，被广泛使用。

摘要：低价格但性能优越的animation Master的新版本终于上市了。独特的Modeler追加了新的功能、工作效率得到了提高。

摘要：我和余春娜年岁大致相当,我们都算是童年时被动画图像所包围着成长起来的第一代中国人,比这更早的年代动画技术早已诞生诸多经典,但动画确是在比较晚近的时候,才真正开始深刻地影响每一代人的生命,从许多细节上改变着我们认识生活和认识世界的方式。过去动画曾经被认为仅仅是＂动漫＂,即便如此,这样的＂动漫＂已经有足够的力量改变无数人的童年。

摘要：在第九期的本杂志中,曾就3D电脑艺术馆的思维方式,3D表现的技术手法作了部分分析与介绍。例如,电脑与艺术、3D电脑艺术馆、3D的表现技巧与作品等,在电脑艺术馆中,介绍了艺术馆的创意和构成。在表现技术中,就3D表现过程中的造型功能及表面功能作了解释。 在本期杂志中,除继续就表现技术的光源功能、演绎功能、动画功能进行分析外,还将就电脑世界中艺术的信息处理及3D电脑艺术馆的部分作品做一解释。

摘要：Literally and figuratively, video art is not viewed in the same way as traditional forms of art. It is often relegated off to its own room or comer of a gallery, and when we see video, we think of film and conjure the idea of passively viewing a story with a set beginning, middle, and end. This is reinforced by the fact that most video art has a playing time listed or is viewed in a darkened room in the same way as one would view a movie. Alternately, once a painting is hung, the artist is no longer in control of the way it is viewing the story. The viewer now determines the time and narrative. This paper looks at a new way of expressing video art by analyzing the installation ＂The Four Horsemen of the Apocalypse＂. The animations that are part of the installation are edited as the viewer is experiencing it in an attempt to approximate how we view a painting. Finally, the impact of the installation is compared to a short film created from the same footage; this time, it is viewed in a dark room with the artist in control of how the story unfolds.