摘要：Recent years have seen an explosion of researches and studies into the public sphere and the deformation of *** one extreme,general theoretical statement about public sphere is directly developed from Habermas’s public sphere theory;they have elaborated and extended the theory and applied it to analyze the different situations in different *** the other,the so-called sphere has been extended,from the original cafe bar or some entity space like this to the virtual space,especially with the development of internet and the emerge of many kinds of social media;some scholars noted that the public sphere has appeared in the internet;some social media like blog,micro blog(in China as weibe),and so on have become the new form of public sphere,which is also called public discourse *** some extend,public discourse space belongs to public sphere,but different from *** have some similar characteristic,but they also have some difference within different time and *** example,public discourse space is much closer to audience *** the audience participation is one of the important factors for the public discourse space created by *** can say that both of the discourse space appears in the traditional media and the online media are emphasizing on the relationship between media and *** in this article,the author also does a simple review about public discourse space and its relationship with audience participation.

摘要：The present study focuses on the native readers’sense of flow,a construct frequently ignored in L2 writing *** on the author’s analysis of the communicative data in the web-based transnational peer editing activities named Cross-Pacific Exchange,an amendment is proposed for the currently well-accepted“input-output”models;that is,fluent output by classroom L2 learners may not always be accepted by native ***,L2 writing teachers should encourage their students to pay attention to their L1 readers’sense of flow,so as to enhance their own reader awareness,and improve the quality of their L2 composition through interaction with their L1 audience.

摘要：audience近日宣布，将与联发科携手推出audience（R）eS700系列智能音频编译码器产品，为智能手机拥有MT6290LTE基带参考平台的全新联发科MT6592八核应用处理器提供预配置选择。两家公司将通过紧密合作，推出一流的单一参考设计技术。在最新技术的基础上寻求新突破的原始设备制造商而言，这一方案能够为其节省产品上市的成本和时间。

摘要：audience将与联发科携手推出audience（R）eS700系列智能音频编解码器产品，为智能手机拥有MT6290LTE基带参考平台的全新联发科MT6592八核应用处理器提供预配置选择。两家公司将通过紧密合作，推出先进的单一参考设计技术。就在最新技术的基础上寻求新突破的原始设备制造商而言，这一方案能够为其节省产品上市的成本和时间。

摘要：去M50找最好的中国创意,不是一个口号而是一个事实。早年一帮人聚啸上海苏州河畔莫干山路50号,只凭着执着的血气和天赋的灵性,便开拓出中国当代艺术一片大好江山,M50遂成中国创意发源之地。到M50去找最新鲜的中国创意,在"CREATIVE M50"构思之初,是M50创意园描绘的愿景蓝图,在"CREATIVE M50"成功举办之后,也已经成为一个事实。得年轻人便得创意,M50对此的贯彻执行是不遗余力的。

摘要：The aim of this paper is to research museum audience and its expectations, experiences, and influence on museum＇s practices at the Sinebrychoff Art Museum in Finland. The common idea is that museum pedagogy as a word creates easily an image of dusty, silent, and serious moment when the audience is forced to follow a lecture or a guided tour The author＇s research questions are： （I） Museum as an institution--what are the limits and possibilities to create highlights for audience work？ （2） How to look and talk about art for different audiences--also for non-visitors？ And （3） How can museum combine the knowledge of results and new technology to create more interesting approach for its audiences？ Participants of the author＇s research are teachers, students, senior citizens, and colleagues from other museums. Besides the literature the author uses mixed methods by combining visitor questionnaires （made during last ten years） and qualitative research made by narrative methods. Interviews have been made by H4 recorder. The qualitative analysis is going to be made by ***. The results will finally be analyzed in 2014. Until now, it has become clear that museum experience mostly starts from the web pages. What can we offer, how to give value to our museum audience？

摘要：This paper aims to explore the relationship between perceived satisfaction and loyalty of Spanish arts participants. Evidence suggests that customer satisfaction plays a key role in an organization＇s ability to maintain a relationship with its customers. We examined the link between satisfaction and loyalty within a theoretical framework based on an empirical study in which data from more than 14,000 respondents were obtained. This data allowed us to evaluate the arts consumer from an attitudinal and behavioral perspective looking at their interests, satisfaction level, frequency of attendance, and compare it using the participant＇s education level. A descriptive statistical analysis using ANOVA （analysis of variance）, correlation, partial correlation, and multiple regression provided evidence that, in the context of experiencing an arts show, satisfaction does not have any impact on loyalty but education level plays a significant role in people＇s interest and loyalty.

摘要：能否请您谈谈您对公共艺术的理解？在您的观点里什么是公共艺术？Could you please talk about your understanding of Public art？What is public art in your opinion？茱茜·乔克拉：我认为公共艺术在今天可以有不止一个定义。在某些语境中,公共艺术是一种通过美和希望复兴日常生活空间的方式,正如我们这次在上海的会议中讨论到的。

摘要：在当代艺术向多元化发展的时期,一切艺术形式和艺术手段都有它们共存的天地。赵晓潇,毕业于天津美术学院雕塑系,新一代的青年雕塑家。她的作品多与"记忆"相关。她的艺术创作从自身生命体验出发,诠释自己对于过去经历的看法,展示其真实的生存状态和生命感知。生命感的存在,赋予了其作品温暖的人文情怀。她作品所散发出的温暖气息,捕获了观者的目光。让我们一起走进赵晓潇的记忆空间,品读其真实的生命感知。

摘要：本期《艺术视野》,著名批评家黄笃先生、王端廷先生,用他们犀利的观点引领着我们去关注当下中国装置艺术的发展处境;在另外一个主题当中,我们聚焦当下最有影响力的青年艺术项目之一,CAFAM的最近的一次展览——作为该项目的重要策划者之一的盛葳先生,以及另外一个青年项目"常青藤"的重要策划者张予津女士,站在各自的角度对CAFAM提出了各自的看法和鞭策。本期的《艺术视野》同时还关注今年一月份上海的废墟涂鸦事件,本刊编辑刘世洁对此进行专门的批评性报道。