摘要：Economic ＆ Philosophic Manuscripts of 1844 was regarded as the key text for studying Marx＇s aesthetics thoughts It was translated into Chinese in 1956 and then attracted Chinese scholars＇ attention. In the past half century it was the main theory source of Chinese Marxism aesthetics. There were two large scale debates on aesthetics related to Economic ＆ Philosophic Manuscripts of 1844 in China. One was taken place in the late of 1950s to 1960s and the other was in 1980s. The main arguments concentrated on four issues in the Manuscripts of 1844： the relationship between practice and beauty, the meaning of the two standards and the law of beauty, whether estranged labour creates beauty or not, how to asses the Manuscripts.

摘要：Giorgio Vasari’s conception of artistic creativity is related to his theory of painting. He proposes two alternatives in a painter’s development or achievement of artistic creativity: imitation (imitazione) and invention (invenzione).Imitation is the copying of art as a method of learning, whereas invention is independent of imitation and constitutes the means for conceiving artistic ideas. Imitation serves to guide and teach the artist in composing and creating perfection. Vasari maintains that artists must study antiquity and the masters, so that they may learn how others acquired the experience of imitating nature. For Vasari, imitation draws upon three different sources: the first two are copying from nature (copia dal vero) and the third one is selecting from one’s work (imitare se stessi). He emphasizes that copying from nature is important for the artist so that he may learn to create forms that are alive as visualized in the Fine Arts.

摘要：Starting from the analysis on aesthetic implication of seaweed residence in Jiaodong,field study was *** existing residence as the case study,the pervasive and simple ecological value,practical significance and sustainability of traditional residences were explored,so as to provide a theoretical basis and practical reference for new residential design of ecological value.

摘要：艺术家:雷·内藤和西泽立卫(日本)地点:日本手岛媒介:建筑、地下水、混凝土时间:2010年委托人:濑户艺术节推荐人:凯利·卡迈克尔手岛是2010年濑户艺术节开展活动的七座岛中的一座,目标是让濑户海附近的岛屿重新焕发生机。艺术节期间向公众开放的"手岛美术馆"由日本建筑师西泽立卫和艺术家内藤礼合作设计。这座空灵的建筑矗立在手岛的小山上,俯瞰濑户内海。内藤礼以在精心准备的空间中布置精致的小物件而闻名,这件作品的标题意味着一种孕育生命的母爱形象,从地上渗出的水滴构成了这一主题。

摘要：我把西方超现实主义的诗(Surrealistic Poetry)与代表东方智慧的禅在此相提并论,完全是我个人多年来在诗的创作中寻求新的语言形式和形而上的本质时所做的一种探索。首先,我要表明我对诗的态度:我不认为发泄或表达情感是诗的唯一功能。我一向坚认,本质上诗是一种有含意的美(significant beauty),这种含意可分三个层次:

摘要：摄影金像奖是摄影艺术的最高奖项,是文学艺术界12个艺术门类最高奖项之一,不仅在艺术界有着重要的地位,在社会上也有着广泛的影响。中国摄影金像奖评选已连续举办了7届,浙江在2010-2011年刚举办首届浙江摄影金像奖评选。本刊设立《金镜头》栏目介绍这些顶尖摄影艺术家的摄影金像奖参选获奖作品,以飨读者。

摘要：本文中,路易斯以他从馆长到艺术总监的经历阐述了艺术作品走出美术馆进入公共空间的重要意义,描述了利物浦双年展中的公共艺术与民众以及政府的互动,并依据具体案例探讨公共艺术对城市发展的关系。

摘要：建筑的精髓在于严谨我想提出的是建筑的精髓依赖于某些不可或缺的元素。建筑应具有严谨、依据充分、合乎逻辑且简约的特点。为了突出严谨性在建筑学中的重要地位,我斗胆将它与诗歌比较。建筑是诗歌艺术,但是有谁胆敢提出将建筑比作诗歌呢？如果有,他必须认同一种涉及建筑专业核心问题的建筑理念。这正是我在这里想提出的问题。我提出将建筑比作诗歌,勿容贅言,这是＂建筑的精髓”所在，正如诗歌对于整个文学的重要性一样。

摘要：旅居加拿大的十几年间,我生活在如画风景中,却不自知。一次偶然的机会,我接触到摄影这门艺术,它仿佛为我打开了一扇窗,让我看到了曾经忽视的美丽。学习摄影的过程,也是寻找美、发现美、呈现美的过程。我乐在其中,并享受它带给我的点滴美好。我很幸运,能用摄影来点缀生活、丰富人生,而不枉度时光。