摘要：受全球化的影响,无论是美国、日本的动漫,还是中国的动漫,在创作观念形态上都存在着相同的地方。同时,由于各民族文化之间的差异性,美国、日本、中国动漫又表现出各自不同的文化特色。本文以中国、美国、日本动漫为对象,试从三个方面论述中外动漫创作的观念形态的不同。

摘要：20世纪中叶始,随着中国钢琴艺术的发展,钢琴艺术与古琴艺术逐渐建立起联系,古琴艺术成为中国钢琴艺术创作发展的文化资源之一。作曲家从中国古琴艺术中汲取营养,主要通过对古琴乐曲移植改编、对古琴音乐的吸收与创编、传承古琴艺术所蕴涵的文化观念的方式实现了对古琴艺术元素的吸收,产生出了诸多与古琴艺术相联系的钢琴曲。笔者试图就古琴艺术元素在中国钢琴曲中的显现方式进行探析,意将中国钢琴艺术发展中部分钢琴曲所表现出的与古琴艺术元素有关的显现方式进行梳理与总结,考究古琴艺术元素在中国钢琴曲创作中的借鉴价值。

摘要：The purpose of this paper is to do a comparative study of two complete Spanish versions of Shi Jing with a detailed analysis of the poem Junzi *** culture and personal backgrounds of the two translators,their translation purposes and intended readers largely influenced the translating style and technique of the two versions.

摘要：《汉学还是艺术史——中国艺术研究方法笔记》(SINOLOGY OR ART HISTORY Notes On Method in the Study of chinese Art)是半个多世纪以前一篇有关中国艺术史研究方法论的经典旧文，但对今天的中国艺术史研究仍有现实意义。作者约翰·亚历山大·波普(John ***)，1906年生，1938年以哈佛燕京社研究生身份留学欧洲，1941年获哈佛大学硕士学位，1955年获哲学博士学位，1972年成为米德堡学院荣誉文学博士，

摘要：读过[Art in China]一书的人都会知道,用词严谨的克雷格·克鲁纳斯[Craig Clunas]教授一定反对我这篇文章中"明代艺术"一词的运用,我还是用了这个词.他在Art in China的序言中提到,他谨慎地将这本书命名为Art in China,而不是chinese Art.

摘要：The field of Early China studies is sometimes faulted for being *** here for once is a book that addresses an issue of obvious relevance to our world:the roots of chinese *** Feng plumbs the bronze inscriptions of the Western Zhou period for information on govemment officeholders and their activities,and he presents a complex and largely plausible reconstruction of the operation of the royal administration.

摘要：Differences in cultural background and context may result in misunderstanding and various attitudes toward dealing with historical issues,so we need to promote chinese culture across the globe and explicitly explain China’s development and changes to the international *** is not only the mission of culture,but also our *** present,the world is a dynamic mixture of openness,integration,and competition,with cultural competition as its *** the rise of China,spreading chinese culture overseas has entered a new *** must put chinese culture into a new context and understand its characteristics and trends under historical and macro perspectives.

摘要：As a psychoanalytic philosopher,Zizek shows great interest in such Pre-Qin thoughts as Confucianism and philosophy of Chuang Tzu,and relates them to Lacanian *** the psychoanalytic analysis of“butterfly”image in The Butterfly Dream,*** and so on,Zizek interprets ancient Confucian culture,thus visualizes the image of ancient China as an existing“Other”to the *** chinese butterfly image and cultural mirror image have some kind of fundamental ***'s analysis of butterfly image,we can see how he conceptualizes ancient China by constructing the fantasy of butterfly,and how western scholars understand modern China through the mirror image of the *** howZizek views China can provide us with a perspective to reflect upon cultural exchange between China and the West.

摘要：*** Yan Lee[李守仁]was a Baptist minister,teacher,and *** worked in China and America for more than 40 *** text books and audio materials on chinese language studies were widely used in America and Canada during the 1940s,50s and *** was the first few persons to use phonograph recording to record chinese dialects and English-chinese *** two academic books How to win the chinese(1944)and China has a ten thousand mile spiritual wall(1945)attracted a lot of attention in the *** to the WorldCat,his first book had three reprints between 1944 and 1946 and was held by twenty six libraries *** second book had four reprints in 1945 and was held by twenty four libraries *** latter was also gifted and received by President Franklin ***(See Proulx,2006).In this memoir we will give a brief account of Lee’s education background,work experience,academic publishing,and contributions to chinese *** will also give a brief account of his *** account is based on sourced materials and completed to remember his contribution to *** information without citation is provided by his two youngest daughters Ding Jung Lee(李定中)and To Jung Lee(李道中).

摘要：Culture has been exerting an even greater influence on China’s image construction and nation branding in today’s globalizing ***“culture”is the core of chinese soft power strategy,the concept of“soft power”has been redefined as“cultural soft power”in the chinese *** instruments,including the chinese language as well as traditional and popular cultures,are widely implemented as the“charm”tools to wield and project China’s soft *** diplomacy is also viewed as an effective way to promote an understanding of China’s ideals,support chinese economic goals and enhance chinese national security in subtle,wide-ranging,and sustainable *** chinese soft power is still in its“embryonic phase”,partly due to its close link to the country’s economic performance and huge market attraction as well as the disadvantages generated by the political and ideological issues,it has contributed greatly to expand China’s international influence and create a circle of like-minded allies on its periphery,in which process its increasing importance shall not be neglected.