摘要：This paper focused on Japan who was as a new colonial government in Taiwan under Japanese rule,during the period of which took official buildings or urban planning mainly of a series of Western European-style architecture as a ruler’s cultural identity and a modern Taiwan ***,in the context of East Asian modernity,the basic colonial not only mixed Eurocentric,but also included Japan Center and the interaction between the ***,the scope of research and discussion shall have regarded to the non-Western,non-white nature of the Japanese Empire,and its colonial/modernity construction is another new *** Governor-General’s Residence as the Governor-General’s residence for Japanese government combined administrative office,daily living,and social life,showing a symbol of Japan’s colonial ruling class,and a hostel to greet Japanese royal family and the nobility from time to *** a mansion of both Western Baroque and Japanese style,its architectural design has class meaning,therefore it featured with a class-separation building,also combined the leisure of Western high *** associated festivals at that time included tea party,fairs and royal family welcoming pilgrimage,the part of which with a strong political *** paper mainly uses the images of the Taiwan Governor-General’s Residence during the Japanese rule period and the literature at that time to restore the mixed taste and Japanese-Western style of Taiwan at that *** Japanese colonists ruled the complex interactions of different ethnic groups in Taiwan.

摘要：In Conan Doyle’s detective stories mainly including“The Resident Patient,”“The Gloria Scott,”“The Adventure of Blanched Soldier,”and“The Crooked Man,”featuring the master sleuth character Sherlock Holmes,he depicts the return of the colonials from British colonies,mostly India,with physically deformed or ravaged body and traumatic past that haunt and trouble his characters’present *** allegorically uses returned colonials or poor whites who turn into figures of retributive ghosts that function as pathetic memories and inner fears from British *** seeing of ghostly figures and haunting past events delineated in these stories cause characters’sense of uncanny horror and remind them of their past *** monstrous returned colonials or poor whites often create a fear and a social menace that must be appropriately dealt with when the master sleuth is commissioned to pin down the truth of client’s *** are these bodies of ghostly figures so“irregular”and ravaged?What do these deformities signify?How can returned colonial’s or poor white’s traumatic past be related to retributive ghost?This paper attempts to probe into these issues in order to find out possible answers.