摘要：After the understanding of the concept and characteristics of waterfront architectural space, by taking library, archive, and science and technology museum in Fuqing City for example, the paper had pointed out design techniques and features of their natural geological space, planning structure space, traditional courtyard space and architectural indoor space. It had illustrated their structure of "one center and three axes" in detail. Environmental factor had been regarded in plane planning layout. Semi-enclosed space of "cultural square", sequential space of "open courtyard", and well-spaced space of "vertical ecological courtyard" had been created. Based on these spaces, courtyard and garden environments for reading, rest, leisure and communication had been constructed. It was hoped to inspire design idea of waterfront architectures, so as to create waterfront architectures with times spirit and national feature.

摘要：Intensive use of geometrical modelling started with the development of computer graphics and CAD/CAM technologies, comprising a wide area of mathematical disciplines. Geometrical modelling is a synthesis of the geometry and computer graphics, which enable us to develop complex mathematical models that would be rather difficult to display without using a computer. The author recognizes two basic methods of research of geometrical models, synthetic and analytic. The synthetic method makes use of geometrical constructions and in the analytic method geometrical objects are characterized by numerical data. The author uses these methods in this contribution. The aim of this research is to show central cyclides （Dupin＇s cyclides） as a special kind of the cyclical elliptical pedal surfaces. Firstly, applying the method of synthetic geometry, a new class of such surfaces in the 3-dimensional Euclidean space （model of the projective space） is defined. The geometrical construction of these surfaces is dependent on the given ellipse and the position of the pole P. It is the point at which the pencil of perpendicular planes passes to the plane of the ellipse, wherein the generating circles of the surface are lying. The parametric equations of the cyclical elliptical surface are derived applying the method of analytic geometry. The author classifies the surfaces according to the number of generating circles with a zero radius. The evolute of the ellipse divides the plane of the ellipse into two areas, Ω1 and Ω2. The shape of the surface depends on the position of the pole P in the areas of Ω1 and Ω2. The surface can have 4, 3 or 2 circles with a zero radius. The author then describes the relationship between these surfaces and the Dupin＇s cyclides, obtained in the case when the pole P is the point on the major axis of the ellipse. Finally, the transformation of these surfaces is shown by changing of the orthonormal base in the parameterization of the generating circles of the sur

摘要：Blending 互动 Interaction 交融 creation Method 创作方式 偶遇这次展览,却也是非常幸运的看到了一场不管是内容还是形式都非常丰富的陶艺展。展览一共分为三个厅,文献厅集中反映了四位艺术家的创作历程,同时还展示了艺术家们的一些巨型的无法移动的环境陶艺和装置陶艺的作品照片和工作照片,生动的还原艺术家的创作环境。在展厅的中间有一个大型的交互系统电子平台,里面储存了艺术家们的所有个人信息,包括图片和影像。

摘要：In recent years, the process orientation requirements engineering field has received significant interest. However, dealing with ordinary users within an enterprise for developing as-is business process is very complex because this requires skills, responsibility, knowledge, and expertise of business processes. This research answers the following questions: 1) how to systematically gather information regarding as-is business process requirements in an informal environment and by non-expert users? and 2) how can an enterprise refine the identified business process with a semantic process model? The primary purpose of this research is to develop a supporting framework that is suitable for the definition of an as-is business process to be deployed within the enterprise environment. Hence, the focus is on gathering requirements to define the as-is business process. This framework concentrates on three significant aspects of this process: development, refinement, and serialization the semantics of the process model. To accomplish this objective, the LORS framework has been proposed, which consists of four phases (List, Order, Refinement, and Serialization). The framework presents a new unique technique to identify the business process, refine the process, and generate the model semantics. This study assumes that a simple and complete framework will help non-expert users define a high-quality as-is process, such that enhance and facilitate the matching process with existing reference models. We present a case study, evaluate the case study relative to specified criteria, and research the limitations and implications discovered from our research. This research concludes that the LORS framework is simple, flexible, visible, interactive, dynamic, and effective.

摘要：Under the background that urban development has been renovated constantly, the paper has analyzed cultural circulation system and recycling effect in urban renovation, and emphasized that traditional culture should be extended with industrial heritage as the carrier, so as to transform post- industrial negative heritage into modern civilization adapting to modern life. By taking Beijing "789" for example, its development process and situation have been introduced. Based on the spirit of place, the practical significance of cultural creative park and reuse of industrial heritage have been illustrated. It considers that cultural creation can not only extend cultural context, but also help to find new inspiration in industrial heritage, transforming the function of negative landscape in urban renovation in the form of "catalysis", improving its economic value, social cultural value and cultural effective circulation value.

摘要：在当代艺术向多元化发展的时期,一切艺术形式和艺术手段都有它们共存的天地。赵晓潇,毕业于天津美术学院雕塑系,新一代的青年雕塑家。她的作品多与"记忆"相关。她的艺术创作从自身生命体验出发,诠释自己对于过去经历的看法,展示其真实的生存状态和生命感知。生命感的存在,赋予了其作品温暖的人文情怀。她作品所散发出的温暖气息,捕获了观者的目光。让我们一起走进赵晓潇的记忆空间,品读其真实的生命感知。

摘要：9月28日至11月15日,上海外滩3号沪申画廊推出大型展览“奥德赛2004——旅法华人艺术家联展”,这是旅居法国的华人艺术家们首次回国集体亮相,亦为沪申画廊2004年的“中国当代艺术之旅”掀起又一次高潮。“奥德赛2004”由陈箴、黄永、林明泓、阿岱尔、沈远、杨诘苍、王度、杜震君（共2页)

摘要：从"外师造化"到"中得心源"有一个转换过程,这个过程有时很长。江山如画但不是画,"画者,画也"。它不是山水实景的搬写,需要由物象转换为心象,心象就具备了"实"和"质"的丰富条件。中国画和油画不同,欧洲许多油画大师的写生作品就是一幅独立的艺术作品,莫奈的《日出印象》就是这样一幅写生作品,他瞬间捕捉到日出的光辉绚烂,充满生机活力。但是光影和角度的变化都对油画写生是个制约,画家必须迅速敏锐地捕捉真实印象。这就是西画审美偏重视觉范围内的物质性。

摘要：中央美术学院博士生部主任薛永年教授在研讨会中引用著名社会学家费孝通关于文化自觉的名言,"各美其美,美人之美,美美与共,天下大同",强调艺术创作实践的借鉴与发展,并提出"行万里路.外师造化"的观点.认为艺术家应该把创作与生活结合起来。在创作上,他认为写生不应只模仿自然景色.也不能光学古人或洋人技法,而是要经过深思熟虑.创造有根脉和文化内涵之作品。本人在研讨会中亦强调保留中国传统文化根基是很重要的.创作要有民族性的特色,要有考察与写生活动,体验古人主张作为一个伟大的画家必须具备"读万卷书,行万里路"以及"外师造化,中得心源"之创作观。