摘要：Mainly applying Michel Foucault’s idea about spacial discipline plus gender studies,in particular,of the correlation between gender and space as well as the power hierarchy in the distribution of space,this paper analyzes the female protagonist Miss Amelia in Carson McCullers’s The Ballad of the Sad Café.This paper argues that Amelia utilizes space as a means of self-empowerment,challenging the conventional gender dichotomy sanctioned by patriarchal ***,her spacial transgression is seen as a deconstruction of gender conventionality and causes masculine crisis as embodied by the male characters Marvin Macy and Cousin *** spacial discipline is collaboratively exerted by Macy and Lymon on Amelia to“correct”her transgression,Amelia finally concedes defeat and submits to patriarchal gender norms.

摘要：中国古典文学资源非常丰富,但在传统文化结构中,文学批评一直属于公共知识领域,而不是一种专业技巧,更不具有学科意义。晚清以来,儒家经学的式微和西方知识的输入,推动中国传统的泛文学观念向现代性的狭义文学观念转变:文学被视为一种具有独立价值的艺术,文学批评被视为一个独立的知识领域。这一观念变革,是现代意义上的文学学科得以成立的前提。随着西方影响下的高等教育模式逐渐取代传统知识传授体系,最终为文学批评成为一种现代学科提供了制度的保证。学科化极大促进了文学批评的繁荣,但学科形态并非文学批评的终极形态,相反,文学批评永远是一个开放性的知识领域。

摘要：The presented paper puts in discussion the dilemma of the linear supports of formal teaching and learning processes of regular school, coexisting with an inter and transdisciplinarity of the process mentioned above. In this perspective, the author wonders about the subjectivity of the students＇ apprenticeship and about the way they can change, according to the methodological variants, as well as the context. So, he intents to explore the C.P.M.P.S （Creative and Participative Method of Problem Solution） in the development of Portuguese written language competence, through the art subject. In this paper, we can see the increase of different variables from the perspective of students and teachers which validates in some manner of the teaching methodology.

摘要：Philippe Nigro,1975年出生于法国尼斯,曾在法国学习艺术应用和产品设计。后在米兰成立设计工作室,目前主要在法国和意大利工作。这名独立设计师自1999年起,在意大利设计师Michele De Lucchi的陪同下完成众多产品、家具、灯光、室内建筑、活动以及场景布局的设计。自2005年,Philippe Nigro在法国知名设计师孵化器VIA（Valorisation de l＇Innovation dansl＇Ameublement）的资助下完成了螺旋式架子、模块化组合柜。

摘要：……为艺术……写感言……晚生梦……当时,在梦里,恍恍惚惚间……我以潘罗夫斯基(E Panofsky)在《作为人文科学的艺术史》(The History of Art As A Humanistic discipline)的著名论文中所提出过的一个问题请教"遇书主人":艺术史关心的是往昔之事,艺术家醉心的也是陈年烟云,不具实用性。为什么我们还要从事这种非实用的研究?"遇书主人"欣然写下‘依山遇书’四个字,既作为我的梦之谜底,也作为对"依山主人"的回答。