摘要：Literature about Hemingway＇s writing style has been fully explored in the past 80 years, while his style has not yet been well probed into from the perspective of corpus-based stylistics. This paper focuses on the analysis of his writing style as a news reporter and as a literary writer in order to investigate whether there exists some links between the two or whether his training as a reporter has any effect on his writing as fiction writer. By employing a corpus-based stylistic approach, the paper analyzes in great details Hemingway＇s early news writing in Kansas City Star （ 1917-1918） and his later fiction writing in the novella The Old Man and the Sea （1952）. The stylistic features at lexical level are explored quantitatively in both writings via statistical data. The paper concludes that Hemingway＇s writing style has his own heritage. The style in his early news articles does find its way into his later fiction writing. There do exist certain similarities in the choices of lexical items and phrasal expressions. It also indicates that a further exploration on their syntactic, rhetorical, and discourse levels is needed ira fuller picture of Hemingway＇s writing style is to be unveiled.

摘要：Herman Melville＇s Typee （1846） is a fictionalized account of Melville＇s sojourn in the Marquesas Islands. The book was originally published as an authentic travel narrative and Melville claimed the literal truth of the facts Although Typee was an immediate success, it stirred up a noisy controversy about Melville＇s veracity. This article argues that Typee is something between fiction and autobiography, romance and travel book. Today when literary categories are breaking down, we know that the point is not to choose between one another; but instead, to discover how the fact and fiction cohere or coincide

摘要：Samuel Johnson is a giant figure for his literary production and wise conversation in British and world literature and Rasselas as his only narrative story book has largely demonstrated Johnson’s literary achievement and worldly *** centuries,although Rasselas is often classified as fiction,the debate over its genre as fiction,travel account,allegory,romance,moral discourse,and Bildungsroman,*** ***,the detailed textual and critical analysis suggests that generic mixture rather than a single genre is the actual practice in Samuel Johnson’s writing of Rasselas,which accounts for the successful representation of the author’s moral concern,the book’s philosophical theme,the readers’wide acceptance and the book’s world *** paper is an attempt to look into the generic features of Rasselas and to reveal the necessary generic mixture in Rasselas on the basis of textual interpretation.

摘要：＂真实并非绝对。真实的事情是高压的专制系统的体现,这种高压政治维持了它们是真实性。＂在对战后秩序的妄想中,赤瀨川原平的＂资本主义现实主义论＂不无道理：但对很多人来说,电视、咖啡桌、广告……以至于围绕着他们的整个世界,看起来都更像一个近乎相悖的建构。赤瀨川的现实主义标签是刚刚被贴上的,由于他进行的艺术实践正在塑造而不是代表着世界。

摘要：刘宇昆的名字在许多领域中都耳熟能详。他广泛地在一些较为少见的专业中皆有所建树,包括在计算机编程和税收法务等相关行业内工作过。而他最为人所熟知的则是在科幻和奇幻小说领域的成就。作为作者,他非常了不起地赢得过星云奖、雨果奖和世界奇幻奖;而作为译者,他帮助刘慈欣的《三体》获得了中国有史以来的第一座雨果奖。最近,他也担当了合作艺术家的角色,与张奕满搭档的项目出现在后者在上海外滩美术馆的个展＂闲言碎语＂当中。《艺术界》借此时机与刘宇昆坐下来聊聊他在科技、语言、神话、历史和律法公正之间的种种融会贯通。

摘要：一、泛奇幻作为一种类型在类型电影的发展历程中,奇幻（fantasy）、科幻（science fiction）、魔幻（magic）类电影都是数字技术与电影紧密结合下的革新产物,也是体现数字特效技术魅力最为适宜的电影类型。但这三者的概念在本质上有所差别,科幻作品的创作范式主要是描写科学技术所创造出的新世界、新事物,表达科技发展对社会和人类的影响。魔幻类作品起源于魔幻现实主义,其显著特点是必须以现实为基础,

摘要：如果张奕满的展览是一本书,它们的质感,也许接近平装、少量印刷的那一类书籍。在张奕满最吸引人的作品中,书,作为文字的媒介,是他创作上的隐喻,艺术作品就是一个个有着不同角色的故事。一入门,在外滩美术馆常规展览空间之外的是他长期进行的的书店编目合作计划。在这次的上海版本中,艺术家找到了《三体》的翻译者,同时也是科幻小说家的执业律师刘宇昆,一起讨论选出关于万物法则的一系列书籍。