摘要：This study discusses how Liking(1996)in The Power of Um and Onwueme(1992)in The Reign of Wazobia anchor complex negotiations of public and private identities on gender as a site of enactments of *** experimentation with dramatic techniques,the selected Cameroonian and Nigerian women playwrights emphasize the centrality of gender as a site for a sustained critique of the larger social *** paper hypothesizes that Liking’s and Onwueme’s plays are thematically ambitious and stylistically experimental demonstrating a dynamic process through which the dramatists integrate concrete experiences into their creative consciousness in gender-conscious *** that respect,gender stands out as the performance space of struggle between the performance of power to maintain hegemony and the power of performance for social *** scientific vigour,the study uses the gender relations approach to demonstrate how the playwrights appropriate the dynamics of performance to translate,interpret and challenge deeply ingrained patriarchal paradigms and also to explain,theorize and account for the complex realities of African women’s lives.

摘要：Disney being one of the most influential media giants in the world, attracting both young and adults equally and creating memorable characters for almost 80 years, has introduced some memorable villain characters. But interestingly, the projection of male and female villains is rather different and often questionable. This paper aims to investigate how the evil characters have an unequal projection in terms of their gender roles.

摘要：This paper was carried out by the group of professors--Maia Creus, Tamara Diaz, and Ines Martins from the Design Analysis and Prospective Department, with the collaboration of the Catalan Institute for Women, Generalitat de Catalunya. Maia Creus and Ines Martins are parts of the research group TADD （Theory, Analysis, Design, and Development） recognized by Ramon Llull University. The research, based on feminist and performance studies, focuses on artistic groups currently working in Catalonia and whose practices produce tools and technology sharing, highlight the social and educational potential of ICTs （information and communication technologies） free access when used, consciously and critically, from feminist perspectives assumed. The research project was developed as a dual methodological process. This research group has developed a critical review of the three conceptual axes--women, art, and technology--around which revolves the present study and, in parallel, has conducted field work directly with groups of selected artists, in order to meet them within their areas of production and to know more about their working methods, theoretical discourse, goals, frustrations, and desires. This deployment in parallel was used to develop a group of key concepts that revolve around ＂free culture＂ and ＂culture of access＂ that in contrast with the practices and theories of the investigated groups are necessary to intercept and reinterpret. Through various forms of visibility, this paper intends to investigate, promote, and share these tools, technologies, and pedagogies developed by these groups which, by its own dynamics of collective work, as well as the processes of public participation, emphasize forms of interculturality and interdisciplinary.

摘要：Elizabeth I:gender and Paradigm explores how Elizabeth I combined elements:male discourse,Elizabethan theatre,and the new Anglican church to maintain her power and rule for 45 *** historical figure,Elizabeth,and her dramatic double,Rosalind,provide feminist studies with an insight into how British women of the 16th century used contemporary notions of masculinity and femininity to their *** studies and its contemporary plays offer examples of fluid gender identity used by females for safety,free speech,and *** used the new Anglican church as divine validation for her rule and the fact that Elizabeth spoke directly to her people and her parliament and conducted international relations in at least six *** I,and the theatre she so enjoyed,offer a dialectic for tracing the lineage of what is now referred to as feminism.

摘要：This paper offers a detailed study of the issue of social formation and social order in Hesiod’s cosmogony.I argue that,according to Hesiod’s genesis theory,order in a society cannot be established organically through social *** main difficulty lies in the nature of society itself where the dualistic opposition in the male-female sexual relationship leads to endless conflicts between the two sexes and,further,between *** deal with the sexual relationship properly is the key to maintaining a stable social *** the poem,the mother’s‘dark womb’is presented as a prominent image at every crucial moment of social formation and social(dis)ordering in both the divine and the human *** this image as a clue,we can see that the issue of sexuality has a profound impact on social order,and also serves as a key to understanding divinity and humanity in Hesiod’s cosmogony.

摘要：Adolescent girls often experience a decline in their self-esteem as they begin to realize their second-class cultural status on the road to *** have demonstrated that exposing girls to creative outlets and/or experiences can have a positive impact on how they see themselves as valued human *** this article,I explore how creative energy and its power often connect to a male point of view and *** do-it-yourself attitude of the early days of punk rock presented an opportunity for women to not only find their own voice and make their own music,but to question the prevailing gender roles of the *** the work of Patti Smith,and her strong desire to be creative in different areas while challenging gender roles in the process,I also explore how Smith influenced other young women who would emulate her strong example,focusing on The Slits,a punk rock band formed by adolescent *** lack of information about this unique group of girls speaks to the lack of importance placed on female artists in general;in some ways,this connects to the lack of self-confidence some girls can endure during *** the lenses of several disciplines,this article investigates how certain perspectives of the punk rock era encouraged young women’s creativity and self-esteem,ultimately changing the way they viewed themselves as well as how they were viewed by the world.

摘要：性别诗学的跨学科特征十分明显。性别诗学以性别价值取向为基本分析要素,把社会性别作为社会身份的重要组成部分,将性差异作为文学研究的基本坐标,对文学艺术中的性别因素作诗学层面的研讨,是一种跨学科的理论研究。在文学批评实践中,性别诗学与女性主义文学批评相得益彰:性别诗学为阐释方法设置限制因素,而女性主义文学批评又将实践中产生的结果反馈给性别诗学。在当今中国,在发展性别诗学的同时,仍需坚持女性主义文学批评提倡两性平等的价值取向。

摘要：George Meredith （1828-1909） is acknowledged as a creator of memorable female characters. Meredith＇s heroines are radically different from the women generally encountered in Victorian fiction. Characteristically, Meredith constructs a type of female character who, in a social context hostile to any break with convention, refuses to conform to the stereotype of the weak, passive, and dependant woman. In accordance with J. S. Mill＇s observations in The Subjection of Women （1869）, Meredith thought that the progress of society could be possible only through female emancipation and admittance of women into public practice. This paper discusses the themes of marital disintegration and ＂conscious adultery＂ that affirm the legitimacy of female pleasure against coercion Thus, the paper will take into consideration the sonnet sequence Modern Love （1862） and one of Meredith＇s most neglected novels, Lord Ormont and His Aminta （1894）, whose heroines are unexpectedly depicted as non-conventional, strong, and proud. A close reading of the texts will reveal the narrative strategies and textual devices through which Meredith exploited a model of womanhood that, by subverting the current ideas on sex, marriage, and gender roles, is able to countermine male ＂egoism＂, the only obstacle to the genuine progress of Victorian society toward real democratization

摘要：Growing environmental and social evils made the people around the globe realize the fact that their luxurious lifestyle and irresponsible consumption have destroyed the earth beyond its natural healing capacity. Magnitude and intensity of the repercussion pressurized them to understand sustainable and socially responsible consumption that has a direct bearing on the possible solution to the problems. Hence, this paper attempts to investigate the effect of age, education, income and gender on socially responsible consumption behavior of Indian consumers and whether the advertisements with social responsibility theme work better among socially responsible consumers. The exploratory study has been executed on a sample of 250 respondents from Tamil Nadu, Pondicherry, Uttar Pradesh and Bihar by adopting convenience sampling method. Univariate ANOVA {：Analysis of Variance） has been applied to test the research expectations. Results indicate that demographic variables get less to do with the socially responsible consumption behavior of the respondents and social responsible theme as a communication strategy can reach the target audience irrespective of their concern for socially resnonsible ~on^lJrnntion

摘要：以“gender”为核心的性别理论,以人文关怀为深刻背景,强调性别的文化建构和历史建构,是一种颇具活力的当代批评理论,尤其为人文科学研究所不可忽视。改革开放以来,性别理论自西向东传入,为本土学人提供了反思历史和检讨现实的新视角和新理念,从整体上推动着中华文学艺术研究向纵深拓展。