摘要：Qatar today focuses so much on reconstructing its cultural heritage. It is clear that the reconstruction of Qatariheritage has stemmed from a nostalgic mood. Thus, the government subsumed that heritage into certaininterpretations and readings. Therefore, as presented today, Qatari heritage is no longer a self-referential heritage ofan indigenous culture. Rather, it has become a principle to reflect the social and economic existence of the Qataricommunity along with other global communities. The mass use of heritage and the implementation of Westernmuseum culture, however, might be viewed by some as the importation of a culture rather than the preservation ofan existing one. To minimise such potential problem, the government opted to ignore any distinctions betweenrepresenting heritage, interpreting it, or imposing new ideas and thinking around it. Instead, it has focused onintroducing a heritage based on linking images of foreign elements that characterise Qatari heritage with new socialand economic experiences.

摘要：The article touches on Uzbekistan musical heritage, its rich traditions and ancient history. Archeological excavations, written sources, musical instruments and oral traditions are reflected in musical samples passed from generation to generation. People＇s folklore creativity and classical music heritage are connected with the social life of the people, genres, instruments. Uzbek maqom is a bright example and advanced genre of the classical music. The creativity of composers are examples of using maqom＇s pieces.

摘要：Wuchuan Piaose Art is a traditional folk cultural activity of the Han nationality in Wuchuan City,Guangdong *** is a comprehensive plastic art integrating drama,music,art,magic,acrobatics,and *** and recording the intangible cultural heritage of Wuchuan in an Internet+and computer-aided way is of great significance to the practice and historical research of *** provides a folklore material for the artistic creation of figure paintings,which is of pioneering significance.

摘要：Concept of community participation was introduced,and Penang taken for example to study the community participation in cultural heritage *** the basis of the literature review and the statistic data,a theoretical community participation model of community participation in cultural heritage tourism was constructed which combines two perspectives:objective and *** research has significant theoretical and practical meanings not only just for cultural heritage tourism but also for other tourism products.

摘要：In the 21st Century heritage frequently appears to be regarded by governments primarily as a means of economic regeneration and as a mainstay of the national tourism industry. Its broader values and potential uses are, when accepted at all, usually given far less attention and, on occasion, are actively dismissed. At the same time, there is a general acknowledgement that both tangible and intangible heritage are accepted casualties of armed conflict as victims of so-called 'collateral damage'.Recently, armed conflicts have seen heritage specifically targeted, damaged, and destroyed by belligerents and used as weapons of war against their *** presentation will question whether the simplistic economic importance of heritage. has perhaps blinded governments and society in general to overlook the wider potential of heritage. It will question whether heritage is simply destroyed as collateral damage or whether a more nuanced understanding of how and why heritage is damaged and destroyed during armed conflict might lead to a more structured response for the protection of heritage during conflict. Finally, the presentation will question whether heritage might be actively deployed as an ambassador for peace long before conflict starts.

摘要：Under the background that urban development has been renovated constantly, the paper has analyzed cultural circulation system and recycling effect in urban renovation, and emphasized that traditional culture should be extended with industrial heritage as the carrier, so as to transform post- industrial negative heritage into modern civilization adapting to modern life. By taking Beijing "789" for example, its development process and situation have been introduced. Based on the spirit of place, the practical significance of cultural creative park and reuse of industrial heritage have been illustrated. It considers that cultural creation can not only extend cultural context, but also help to find new inspiration in industrial heritage, transforming the function of negative landscape in urban renovation in the form of "catalysis", improving its economic value, social cultural value and cultural effective circulation value.

摘要：Concept of urban renewal was elaborated,which for the protection of historic and cultural heritage not only provides a favorable opportunity of integrating neighboring environment and improving protection conditions,but also imposes threats such as destroying its historic images and patterns,degrading of survival *** properly protect historic and cultural heritage in the unceasing urban renewal,and make it a significant resource and feature of the city but not a barrier of urban development,empirical analysis and theoretical research were adopted to analyze and study current conditions and problems of the protection of historic and cultural heritage in Xi'an City from the dimension of urban renewal concept and present urban renewal of Xi'***,through summarizing successful experience of other regions,specific strategies were given to protect historic and cultural heritage of Xi'an City in its urban renewal more scientifically and reasonably.

摘要：Aesthetic value,scientific research value and ecological protection value of world heritage in Mount Longhu,Jiangxi Province was *** the urgency of protecting Danxia landform was clarified from the perspective of influence brought by tourism development,population explosion,economic development and natural *** and management agencies and relevant policy support for the safeguarding of world heritage in Mount Longhu,Jiangxi Province were expounded,as well as protective strategies for different zones and grades according to their scientific research value and protection *** for the protection and management of Mount Longhu,and local residents' participation in the training were ***,suggestions for the heritage protection in Mount Longhu were given:project construction and management should be stressed,operation activities standardized,ticket management for the Longhu World heritage improved,and the sustainable development persisted in.

摘要：MIDAS heritage是来自英国文化遗产领域的元数据标准,主要用于物质文化遗产领域。它最早诞生于英格兰历史文化遗迹的保护实践之中,与英国政府的保护体制变革密切结合,对于身处"后申遗"时代转型之中的中国非遗元数据建设工作具有一定的参考价值。文章介绍MIDAS heritage的诞生背景、发展历程和基本结构,讨论MIDASheritage的特殊性及其对我国国家级非物质文化遗产元数据标准设计的启示。

摘要：从香港天星码头往东走约5分钟的路程,在广东道与梳士巴利道交界口的东北角,茂盛树荫下掩映着一个别致的建筑群：1881 heritage。而她以前叫水警总部。这是一组结合了维多利亚殖民地式设计与新古典主义的建筑群,包含了五个部分的建筑物：水警总部主楼、马厩、时间球塔、前九龙消防局主楼和前九龙消防局宿舍。