摘要：Rudolf Arnheim’s Gestalt art theory examines visual perceptual forces and the phenomenon of“isomorphism”in psychological movement by exemplifying Chinese images as T’ai-chi *** raising these Chinese examples,he points out the similarities of western and Chinese aesthetic *** deploys Chinese thought,especially Taoism,to complement the deficiency of western *** thought enlightened him to a new path to critically reflect the western traditions of dichotomies,which sharply divides perception from thinking,and art from *** examines Chinese art from a perspective of western psychology,and also reflectson western theories taking Chinese culture as a mirror,in order to supplement western experience and construct a universal scientific aesthetic theory.

摘要：The paper mainly talks about the background of S. T. Coleridge and the images of The Rime of the AncientMariner. As for the images, the wind, the albatross and the snake will be thoroughly discussed. There are manydifferent images which also have different meanings and connotations in the context. What＇s more, the poemexpresses the theme of the metabolic relationships between men and nature： harmony, conflict or compromise.

摘要：The study is meant to describe the evolution of American short-story writing with patterns where visual images have become central and not peripheral for the understanding of stories. Hemingway＇s use of objective correlatives was a trace mark, and the literary editors at The New Yorker urged their writers to slow down the emphasis on movement and plot in order to recreate a certain mood which would favour the perception of objects, anecdotes, and details. The impressionistic device works very much in the same way that an advertisement would do. It is meant to persuade the audience. The apparently non-commitant vision of reality shows in fact the author＇s point of view. The apparent simplicity is meant for a very wide audience and its deepest meaning suggests the scope of the particular visual aids working at the deepest level of consciousness

摘要：Metaphor,constituting culture as well as inheriting one,is a way that human beings perceive the *** study of cognitive metaphor theory in translation illustrates the process how the people construct psychological images from one culture to another,from one language to another.A survey on Chinese to English translation has been conducted among foreigners to see their intuitive understandings of some Guangdong tourism *** results found out three different familiarity levels of these tourism images and the English translations from the viewpoint of the *** can be done without understanding the actual meanings,and understanding can occur without being able to translate.

摘要：This article examines the complex interplay between abstraction and representation in the ontology of *** inhabit an in-between space as tangible artifacts that also convey intangible ideas and *** analysis synthesizes perspectives from across the history of philosophy to elucidate how images bridge abstraction and representation through their form and *** engages with ongoing epistemological and aesthetic debates concerning the dual nature of ***’s theory of ideal forms is outlined as an early attempt to define *** semiotic theories are discussed for their insights into how images create meaning through codes and *** offers an alternative approach by prioritizing the sensorial,affective impact of *** problematizes representation in the context of mechanical reproduction and *** diverse,these philosophical frameworks all grapple with the issues images pose between abstract essence and concrete appearance,conceptual ideas and sensory *** article reveals the richness of images as liminal constructs that collapse dualisms in their creative interfacing of material forms and immaterial *** concludes that this ontological ambiguity empowers images as mediators between imagination and perception,subjectivity and reality.

摘要：With regard to the artistic features of classical Chinese gardens,its ubiquitous poetic scenery is represented through the aspects of spatial sequence,landscape layout,hill piling and waterways dredging,plant configuration,architecture creation as well as various elements in classical *** is given to the close relationship between it and the traditional Chinese poetry and drawing,as it is resulted from the cultural feature of artistic classical garden and as art-and conception-centered as poetry and *** connotation of conception is also analyzed,that is,inter-dependence,imaginary-real design,and ***,reality-and conception-centered methods in classical Chinese gardens are also introduced along with other conception creating methods such as configuration,view borrowing,empathy and *** this basis,discussion about key elements in conception creation in modern landscape design is carried out while emphasizing the understanding of environment,practice,experience,and method,so as to demonstrate the sense of place and create spatial artistic beauty through wider means.

摘要：岁末,推出年度照片是各大通讯社、图片库的规定动作。Getty images是全球最大的创意类图片、编辑类图片和影视素材供应商之一,是全球最大的图像产品供应商。这些照片从不同角度记录2016,眼泪、欢笑、尴尬、纠结,虽似曾相识,却全是第一次。

摘要：Since the 21st century, the construction of small towns in Guangxi Zhuang Autonomous Region has been accelerated obviously and has already taken shape, but there are still some problems such as old towns not being well protected, new towns constructed in unified style, regional culture not being excavated and town features without characteristics. Thus, this paper analyzed some actual cases in Guangxi which are successful in designing the overall image of small towns, including Cendou Xincun, Xing'an County and Yangshuo Dongling, found that all constructions show rich elements of traditional houses, characteristics of local houses and distinctive cultures of folk houses, and concluded that tradition was the source to construct the features of small towns, innovation was the basis to develop small towns and culture was the core to sublimate the features of small towns. It was considered that traditional architectures could only be integrated with modern architectures by fully excavating cultural characteristics of regional architectures, combining with regional tourism industry and motivating local people to participate in reconstruction, to enhance local styles and national features, and create a beautiful, comfortable and harmonious living environment, so the overall regional styles and features of small towns can be represented and proceeded, comprehensive competitiveness and strong vitality can be given to those towns.