摘要：为了便利交通而建造的伊拉斯谟斯大桥，其设计灵感来源是鹿特丹的工业特色并加以体现，为城市增添了风韵。该大桥是鹿特丹北部地区与南部地区的最后一处连接点，其建筑规模和设计已经成为了附近地区的标志景观。

摘要：I Stand Here Ironing is Tillie Olsen’s first novel of her back to writing after several years’*** reflects the real living condition of marginalized women through the description of a daughter by the mother’s *** on Susan ***’s distinction of three modes of narrative voice in feminist narratology,this paper analyzes three narrative voices in this *** employs multiple narrative voices in the novel in order to release the voice of the marginalized women in the silence,she destroys the male’s authority and constructs the discourse authority of silent,poor working-class women.

摘要：This paper presents an analysis on how objectivity is discursively constructed in journalistic narratives by drawing on the theories of viewpoint and mental space in Cognitive Linguistics. It is posited that at least three mental spaces are projected by a narrative discourse, i.e., a narrated event space, a narrating space, and a basic space, and the distance between the first two spaces determines the degree of objectivity in the narrative discourse. A schema which represents the configuration of the different spaces is proposed and applied in the analysis of journalistic narratives to explore the strategies of objectivity construction. The analysis reveals that what the different journalistic narratives have in common in the construction of objectivity is to distance the narrated event space and the narrating space with the former being foregrounded in the viewpoint arrangement.

摘要：The“Eastward Migration Festival”is an emerging festival initiated by Yugur scholars,with the collective participation of the masses,and held in some areas of the Yugur,now held four *** it carries the collective heritage of the Yugur people,the“Eastward Migration Festival”draws on Pierre Nora’s theory of“Les Lieux de Memoire”,and explains why the“Eastward Migration Festival”activity has become the“Les Lieux de Memoire”of Yugur society from three aspects:history,symbol and narrative.

摘要：This paper aims to parallelize the theorizations of Pierre Macherey and Gilles ***,the author,according to Macherey,must have left something unsaid in his *** unsaid or the narrative rupture is responsible for the multiplicity of the voices in the text,enabling the text to *** all,Macherey argues that the unsaid or the narrative rupture emerges from how the author chooses to represent *** is,Macherey’s so-called unsaid or narrative rupture is actually what the author could have said;it is in fact a potentiality embedded in the *** the other hand,when postulating his virtual(ity)/actual(ity)couplet,Deleuze asserts that the virtual(ity)is actually a potentiality that can be *** be more precise,the virtual(ity)has its own reality,and once actualized,it will be transformed into something entirely new and ***,the dialogical space between Macherey and Deleuze is plain to see:Macherey’s so-called unsaid or narrative rupture is literally Deleuze’s so-called *** the unsaid is said,a virtuality is *** a potentiality is thus *** such a reading strategy,we readers are presented with an enactment of an alternative case scenario of the text,namely,how the text could have been made *** the end,an example of this reading strategy is provided:Macherey argues that Marquis de Sade’s desire-ruled society is more *** de Sade has left unsaid is the problematic relationship between desire and *** it is exactly the potentiality in his works.