摘要：Delving into the intricacies of Pakistani society,this study offers a poignant exploration of the profound identity crises experienced by women,as depicted in Bapsi Sidhwa’s seminal work,Pakistani Bride(1990).Sidhwa’s narrative serves as a compelling lens through which to examine the multifaceted challenges faced by women within the patriarchal confines of Pakistani *** the character of Zaitoon,Sidhwa adeptly navigates the intersections of tradition,patriarchy,and societal expectations,shedding light on the marginalized status of women in *** qualitative research methods and drawing upon the theoretical framework of Simone de Beauvoir’s Second Sex(1949),this study delves into the nuanced complexities of female identity formation within a male-dominated *** themes such as identity subjugation,patriarchy,and the clash between social and traditional boundaries are meticulously *** research not only offers a critical examination of Sidhwa’s narrative techniques but also serves as a potent call to action,urging societal introspection and advocating for the empowerment of women in Pakistani society.

摘要：Ancient Greece having survived uninterruptedly through centuries, consists an incontestably cultural capital of overriding importance for the global community and especially for Greece itself. Mythical elements usually become frameworks or structures, in which Greek literary tradition encodes Greek national virtues and promotes nationalistic goals. On the other hand, myth＇s adaptations to different chrono-topes generate diversified cultural reception, adjusted to the era and the audience＇s expectations. The mythical figures are constantly invested in different conceptual schemata, which correspond to the altered way of thinking. Myth is also usually embedded in or underlies fantasy genre, which becomes a vehicle for utterances on women＇s rights. In this paper, we are going to examine closely three ＂fantasy＂ novels for children with mythical intertextual elements： The Fortunate lsles （1989）, Torch （1987）, and Sirena （1998）, whose plot takes place in Greece and we will try to explore： （1） how is Greekness being perceived and presented; and （2） how is female identity being introjected or depicted, in order to find out if the subversive potential of the fantasy genre reworks and rationalizes femininity and Greekness, which have for so long been exploited by the patriarchal or nationalistic status quo.

摘要：Adichie＇s Purple Hibiscus is a feminist work that challenges the dehumanizing tendencies of the menfolk as evident in the character of Mama （Beatrice Achike） who eventually exposed the African conception of an ideal woman who keeps dumb even in the face of humiliation, victimization, and brutality so as to be perceived as a good woman. We will make a resounding case to portray that Achike belongs to the category of liberal feminism. However, as events unfolds, she was forced by situations beyond her control to respond and go radical in order to crush anything that stands in her way to happiness. Efforts will be made to show how African women are rated based on the real and good women as represented by Ifeoma and Beatrice Achike respectively. This essay in exploring the different tenets of feminism will acknowledge that radical feminism is an off shoot of violence. We shall argue that radical feminism is a radical reaction to dehumanization, humiliation, and violence. This study seeks to address the issue of feminism and how characters subject to series of humiliation that leads to a radical approach to gain their freedom.

摘要：The novel's peculiar significance lies in its placing emphasis on the particular predicament of career intellectual women in modern society,including a depiction of those women's contradictory roles and their result,from which an exploration of this predicament's nature may be *** the above proves that apart from the old form of oppression,career intellectual womenhave to suffer some new form by patriarchy which is difficult to overthrow.

摘要：Feminist literary theory underpins literature from matriarchal perspective revolting against prototype patriarchal ritual *** dogmatism,superstition,close-eyed religious propaganda,language engineering and so *** questions the textual politics of dissipating womankind in *** shatters long-cherishing outlook of gender inequality,gender politics,power relation,sexual objectification,oppression,patriarchy,stereotyping and so *** this connection,this theory sees women along with their experiences,thinking,language,position and role playing,cultural conditioning,diction,and above all,matriarchal assertion in *** literary criticism has been generated from feminism and the basic aim of the theory is to investigate and trace out how female characters have been positioned in literature compared with male characters in terms of social and biological factors of different ages of the past started from *** literary theory has also deconstructed texts from two different perspectives *** written by men and text written by *** paper attempts to evalualte feminist literary criticism as a subtle machinery or paradigm of matriarchy not only in avant-garde but also in old texts of literature.

摘要：Apart from depicting modern career intellectual women still being“insulted and injured”by patriarchy,Anita Brookner analyses the roots of the predicament and puts forward a solution,that is,to stick to their own dignity as independent human beings by refusing not only marriage of convenience,but the patriarchal values,thus fulfilling their self-seeking and ***’s method after slight modifications is found to be the ultimate solution:the young girl and the young boy should be raised with the same ideology of male-female equality and friendship;then things like“male superiority”will disappear and“femininity”will really become part of human nature.